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University of Chicago Library

Guide to the James H. Moore Papers 1969-1983

© 2006 University of Chicago Library

Descriptive Summary

Title:

Moore, James H. Papers

Dates:

1969-1983

Size:

11 linear ft. (22 boxes)

Repository:

Special Collections Research Center
University of Chicago Library
1100 East 57th Street
Chicago, Illinois 60637 U.S.A.

Abstract:

James H. Moore taught music at the University of Chicago from 1976 to 1984. The Papers contains Moore's correspondence, lectures and articles, publications and musical editions related to scholarly research into Venetian music and culture, research notes, teaching materials, photocopies of sacred and secular sources for the study of seventeenth-century Venetian music, audio tapes, and musical scores.

Information on Use

Access

Access to audio recordings may be restricted due to condition or the need for special equipment.

Citation

When quoting material from this collection, the preferred citation is: Moore, James H. Papers, [Box #, Folder #], Special Collections Research Center, University of Chicago Library

Biographical Note

James H. Moore was born in 1946 in Los Angeles. He received the B.A., M.A., and Ph.D. degrees from the University of California at Los Angeles. He joined the faculty of the University of Chicago in 1976 and was Associate Professor of Music at the time of his death in 1984.

Moore was an accomplished musician as well as a scholar, playing baroque and modern violin, viola da gamba, and piano. His scholarly work, largely in the field of seventeenth-century Venetian sacred music, reflected this dual interest. His master's thesis, a study and critical edition of Marco da Galgiano's La Dafne, resulted in a recording on the ABC Command label. His Ph.D. dissertation, Vespers at St. Mark's: Music of Alessandro Grandi, Giovanni Rovetta and Francesco Cavalli (later published by UMI Press) included performing editions of vespers music of these three composers. Cavalli's Vespero della Beata Vergine was drawn from this edition and performed by the Clarion Music Society in New York and Italy, including a performance at St. Mark's in Venice. His article "The Vespero delli Cinque Laudate" (Journal of the American Musicological Society, 1981) resulted in Moore's preparing an edition of appropriate music for this special liturgical service as it might have been heard in the seventeenth century, also performed by the Clarion Music Society. Moore's scholarly work established him as an important authority on Venetian Music; his research in the archives of Venice did much to deepen the understanding of sacred music and liturgy at St. Mark's.

Scope Note

The papers of James H. Moore comprise 11 linear feet of material, including correspondence; publications and musical editions related to his scholarly research into Venetian music and culture; research notes; materials related to courses taught at the University of Chicago; photocopies of sacred and secular sources for the study of seventeenth-century Venetian music; audio tapes; and musical compositions. The papers are divided into seven series.

Series I: Biographical, includes notes taken while Moore was a student at UCLA; concert programs; professional correspondence, filed alphabetically; and materials from scholarly gatherings, also filed alphabetically. Topics reflected in the correspondence include discussions of the editions of music prepared by Moore for the Clarion Music Society of New York, as well as the actual transcriptions of the music performed for the Vesperi delli Cinque Laudate concert given by the Clarion Society (1:11-12), and material related to the publication of his dissertation by UMI Press.

Series II: Writings, contains typescripts of many of Moore's articles and lectures, as well as liner notes to recordings and program notes for concerts. Also included in this series are typescripts of papers by students and fellow scholars.

Series III: Research notes contains detailed notes from Moore's dissertation, Vespers at St. Mark's (7:6-9:2) and research notes from Italian archives and other libraries.

Series IV: Course materials, is a collection of class notes and syllabi from courses taught at the University of Chicago, arranged by course number.

Series V: Liturgical and Secular Sources, comprises a large collection of photocopies of various sources relating to the liturgy and sacred music of St. Mark's as well as copies of music prints of both sacred and secular music, mostly of the seventeenth century. Interfiled with the music prints are, in many cases, transcriptions of some of the individual compositions contained in the print.

Series VI: Audio Tapes, includes recordings of a performance of Cesti's Orontea from UCLA; the UCLA Faculty Collegium, in which Moore played; tapes of various performances of da Gagliano's La Dafne; and the Cavalli Vespers as performed by the Clarion Society.

Series VII: Musical Compositions contains two songs written by James Moore on texts by Carl Sandburg, and also two works by Paul Reale.

Related Resources

The following related resources are located in the Department of Special Collections:

http://www.lib.uchicago.edu/e/spcl/select.html

Subject Headings

INVENTORY

Series I: Biographical

Subseries 1: Student Materials

Box 1   Folder 1

Concert programs and libretti, University of California at Los Angeles

Box 1   Folder 2

Student notes, UCLA, Gellner, Music 191

Box 1   Folder 3

Student notes, UCLA, Music 261E, Beethoven Performance Practice

Box 1   Folder 4

Student notes, UCLA

  • Hammond, Music 269
  • History of Western Musical Instruments, Fall 1971
Box 1   Folder 5

Photographs, library materials

Box 1   Folder 6

Curriculum vitae materials

Box 1   Folder 7

Concert programs, Collegium Musicum, University of Chicago

Subseries 2: Correspondence

Box 1   Folder 8

A-C, general

Box 1   Folder 9

American Council of Learned Societies

Box 1   Folder 10

American Musicological Society

Box 1   Folder 11-12

Clarion Concerts, Transcriptions of music used for "Vesperi delli Cinque Laudate" concert

Box 1   Folder 13

Clarion Concerts, New York concerts

Box 2   Folder 1

Clarion Concerts, Castelfranco concert series

Box 2   Folder 2

Jonathan Couchman

Box 2   Folder 3

D-L, general

Box 2   Folder 4

Frederick Hammond

Box 2   Folder 5

M-S, general

Box 2   Folder 6

Paul McCreesh

Box 2   Folder 7

Randy Mickelson

Box 2   Folder 8

Andrew Parrott

Box 2   Folder 9

U, general

Box 2   Folder 10

University Microfilms International Research Press

Box 2   Folder 11

W, general and unidentified

Subseries 3: Scholarly Gatherings

Box 2   Folder 12

American Musicological Association, New York City, 1979

Box 3   Folder 1

American Musicological Association, Boston, 1981

Box 3   Folder 2

American Musicological Association, Ann Arbor, 1982

Box 3   Folder 3

American Musicological Association, Midwest Chapter, September 1983

Box 3   Folder 4

International Frescobaldi Quadrocentenary Conference, University of Wisconsin-Madison, 7-10 April 1983

Box 3   Folder 5

International Musicological Society, Strasbourg, 1982

Box 3   Folder 6

Societa Italiana di Musicologia, Convegno di Studi Monte-verdiana, Siena, 28-30 April 1967; materials from other Monteverdi symposia

Box 3   Folder 7

Miscellaneous materials

Series II: Writings

Box 3   Folder 8

"Bartolomeo Bonifacio's Rituum Ecclesiasticorum Ceremoniale; Continuity of Tradition in the Ceremonial of St. Mark's, Venice," 1982

Box 3   Folder 9

"Claudio Monteverdi and the Celebration of Mass at St. Mark's," 1981

Box 4   Folder 1

"The Geography of Performance in St. Mark's," Lecture-concert in conjunction with choral and instrumental ensembles of the University of Louisville, November 1981

Box 4   Folder 2

Liner notes to Josquin Desprez, Missa La Sol Fa Re Mi, Motets, Chansons, Instrumental Music, Capella Antiqua München, Konrad Ruhland, director, ABC-Seon, 1977

Box 4   Folder 3

"The Liturgical Use of the Organ in Seventeenth-Century Italy: New Documents, New Hypotheses" 1983

Box 4   Folder 4

"The Liturgical Works of Francesco Cavalli," 1975

Box 4   Folder 5

"Marco da Gagliano's La Dafne; A Critical Edition," Master's thesis, 1972, notes

Box 4   Folder 6

"Marco da Gagliano's La Dafne; A Critical Edition" Master's thesis, typescripts

Box 4   Folder 7

"Marco da Gagliano's La Dafne; A Critical Edition" Master's thesis

  • Final copy, Volume 1
  • Commentary
Box 4   Folder 8

"Marco da Gagliano's La Dafne; A Critical Edition" Master's thesis

  • ABC Command recording of Volume 2 Edition
  • Reviews
  • Promotion
Box 4   Folder 9

"Marco da Gagliano's La Dafne; A Critical Edition" Master's thesis, Libretti

Box 5   Folder 1

"Marco da Gagliano's La Dafne; A Critical Edition" Master's thesis, Photocopy of 1608 edition

Box 5   Folder 2

"Marco da Gagliano's La Dafne; A Critical Edition" Master's thesis, Volume 2, Edition

Box 5   Folder 3

Miscellaneous program notes

Box 5   Folder 4

Review of The Letters of Claudio Monteverdi

  • Translated and introduced by Denis Stevens, 1982
Box 5   Folder 5-8

"Venezia favorita da Maria; Music for the Madonna Nicopeia and Santa Maria della Salute," 1984

Box 5   Folder 9

"The Vespero delli Cinque Laudate and the Role of Salmi Spezzati at St. Mark's," 1981

Box 6   Folder 1

Karen Sue Balke, "The Origins and Early History of Polyphonic Violin Playing"

Box 6   Folder 2

Tom Bernick, "Cadences and Aural Perception"

Box 6   Folder 3

Stephen Bonta

  • "A Formal Convention in 17th-Century Italian Instrumental Music"
  • "Further Thoughts on the History of Strings"
Box 6   Folder 4

David L. Brown, "The Role of the Organ in Sixteenth Century Catholic Liturgy; An Examination of Munich Cod. MS 153"

Box 6   Folder 5

James Erber, ed., Marco da Gagliano, La Dafne

Box 6   Folder 6

Dennis Fitzpatrick, ed., Francesco Cavalli, La Didone, Act 2, Scenes 5-10

Box 6   Folder 7

Lawrence Hampton, "A Comparative Study of the First Movements of the Five Beethoven Piano Concertos"

Box 6   Folder 8-9

Joyce Johnson, "Giovanni Battista Doni; Trattato della Musica Scenica, Preface," translation

Box 6   Folder 10-11

Timothy L. McDonald, "Early 17th Century Venetian Mass Settings; The Music of Alessandro Grandi and Giovanni Rovetta," master's thesis, The State University of New Jersey, April 1980

Box 7   Folder 1

Louise Kathrin Stein

  • "Aspects of Progressive Music Theory in 17th-century Italy"
  • "Cavalli's Il Giasone; An Appreciation"
Box 7   Folder 2

John Westcott, "Music at Santa Maria Maggiore under Alessandro Grandi"

Box 7   Folder 3

Todd Wetherwax, "Herr, wenn ich nur dich habe by Matthias Weckmann; Edition and Commentary" master's thesis, University of Wisconsin-Madison, 1978

Box 7   Folder 4

Gretchen A. Wheelock

  • "The Solo Motets of Alessandro Grandi (d. 1630); A Stylistic Analysis," master's thesis, Yale University, 1966
  • Unidentified typescripts
Box 7   Folder 5

Chapter Six, "Polychoral Sacred Music in Perspective"

Series III: Research Notes

Box 7   Folder 6-9

Vespers at St. Mark's; Music of Alessandro Grandi, Giovanni Rovetta and Francesco Cavalli, Ph.D. dissertation, University of California at Los Angeles, 1979, Research notes

Box 8   Folder 1-6

Vespers at St. Mark's; Music of Alessandro Grandi, Giovanni Rovetta and Francesco Cavalli, Ph.D. dissertation, University of California at Los Angeles, 1979, Research notes

Box 9   Folder 1

Vespers at St. Mark's; Music of Alessandro Grandi, Giovanni Rovetta and Francesco Cavalli, Ph.D. dissertation, University of California at Los Angeles, 1979, Research notes

Box 9   Folder 2

Vespers at St. Mark's; Music of Alessandro Grandi, Giovanni Rovetta and Francesco Cavalli, Venetian photographs

Box 9   Folder 3

Catalogue, Biblioteca Nazionale Marciana, Venice

Box 9   Folder 4-5

Archivio di Stato Veneto, Summer 1980

Box 9   Folder 6

Biblioteca Correr, Summer 1980

Box 9   Folder 7

Biblioteca Nazionale Marciana, Summer 1980

Box 9   Folder 8

Miscellaneous, Summer 1980

Box 10   Folder 1

Archivio della Curia Patriarcale, 1981

Box 10   Folder 2-3

Archivio di State Veneto, 1981

Box 10   Folder 4

Biblioteca Correr, 1981

Box 10   Folder 5

Biblioteca Nazionale Marciana, 1981

Box 10   Folder 6

Civico Museo Bibliografico-Musicale, Bologna; Fondazione Cini, 1981

Box 10   Folder 7

Archivio della Curia Patriarcale, 1982

Box 10   Folder 8

Archivio di Stato Veneto, 1982

Box 10   Folder 9

Biblioteca Correr, Fondazione Cini, 1982

Box 10   Folder 10

Biblioteca Nazionale Marciana, 1982

Box 11   Folder 1

Christ Church Oxford, British Library

Box 11   Folder 2

Contents of libraries

Box 11   Folder 3

Newberry Library

Box 11   Folder 4

RISM films, lists

Box 11   Folder 5

Catalogue, Sant' Apollonia

Box 11   Folder 6

Yale University

Box 11   Folder 7

University of Chicago Library

Box 11   Folder 8

Miscellaneous

Series IV: Course Materials

Box 11   Folder 9

Music 102, Introduction to Music

Box 11   Folder 10

Music 105-106, History of Western Music for Non-Majors

Box 11   Folder 11

Music 212, Modal Counterpoint

Box 11   Folder 12

Music 221, The History of Western Music to 1600

Box 11   Folder 13

Music 276-376, The Music of Claudio Monteverdi; Problems in Monteverdi Scholarship

Box 11   Folder 14

Music 285, The Music of Claudio Monteverdi

Box 11   Folder 15

Music 289, The European Symphonic Tradition, ca. 1875-1910

Box 12   Folder 1-2

Music 289, The European Symphonic Tradition, ca. 1875-1910

Box 12   Folder 3-4

Music 324, Survey of the Music of the Seventeenth Century

Box 12   Folder 5

Music 326, Music of the Nineteenth Century

Box 12   Folder 6-8

Music 327, Music in Venetian Liturgy

Box 12   Folder 9

Music 328, Northern Italian Sacred Music of the Early Seventeenth Century

Box 12   Folder 10

Music 352, Problems in Baroque Music; The Continuo Madrigal

Box 12   Folder 11

Music 361, Early Opera, 1600-1650

Box 13   Folder 1-3

Music 375, Music in Venetian Liturgy

Box 13   Folder 4

Music 391, The Venetian Motet, 1620-1650

Series V: Liturgical and Secular Sources

Subseries 1: Texts

Box 13   Folder 5

Michaele Bauldry, Manuale sacrarum caeremoniarum, iuxta ritum S. Romanae Ecclesiae (Venice; Paulum Balleonium, 1689), incomplete

Box 13   Folder 6

Giovanni Maria Bononcini, Musico prattico. Opera ottava (Bologna; Giacomo Monti, 1688), incomplete

Box 13   Folder 7

Breviarii S. Barbarae. Gregorii XIII. Pront. Max. auctoritati approbati (Venice: Dominicum Nicolinum, 1583)

Box 13   Folder 8

Caeremoniale episcoporum iussu Clementis VIII. Pont. (Rome; Ex Typographia linguarum externarum, 1600), incomplete

Box 13   Folder 9

Caeremoniale episcoporum iussu Clementis VIII. Pontificis Maximi (N.p.; Augustae Taurinorum, 1612), incomplete

Box 13   Folder 10-11

Decreto, Capitoli, et ordeni delli cantori della capella de San Marco

Box 13   Folder 12

Giovanni Diclich, Rito Veneto antico detto patriarchino (Venice; Vincenzo Rizzi, 1823)

Box 13   Folder 13

Missae propriae sanctorum celebrande in civitate et diocesi Venetiarum (Venice; Antonium Pezzana, 1789)

Box 14   Folder 1-2

Missale Romanum et decreto sacrosancti. Concilii Tridentini restitutum, Pii Quinti Pontificis Maximi iussu editum, et Clementis Octavi auctoritate recognitum (Venice; Nicolaum Misserinum, 1605)

Box 14   Folder 3

Officium hebdomadae sanctae, secundum consuetudinem ducalis ecclesiae S. Marc-i Venetiarum. A Dominica Palmarum usque ad diem Paschae inclusive (Venice; Antonii Bossi, 1678)

Box 14   Folder 4

Orationale ad usum Basilicae Ducalis Sanctae Marci Venetiarum, Index to Vespers texts

Box 14   Folder 5-7

P. Gio. Battista Pace, Ceremoniale Magnum, 1679, 3 volumes, photocopy

Box 15   Folder 1

Gio. Battista Pace

  • Nucleus Ceremoniarum. Ristretto di tutte le ceremonie, e riti, che si pratticano nella Ducal Basilica di S. Marco (Venice, 1677)
Box 15   Folder 2

Ant. Can. Pasini

  • Il rito antico ed il cerimoniale della Basilica di San Marco (Venice: Tipografia Emiliana, 1888)
Box 15   Folder 3

Andrea Salvadori

  • La Flora overo Il natal de' fiori (Florence; Zanobi Pignoni, 1628)
Box 15   Folder 4

Giovanni Stringa, ed.

  • Officia propria Marci Apostoli et evangelistae (Venice; Franciscum de Patrianis, 1602)
Box 15   Folder 5-6

Giovanni Stringa

  • Officium maioris hebdomadae, iuxta consuetudinem Ecclesiae S. Marci Venetiarum (Venice; Io. Ant. Rampazetum, n.d.)
Box 15   Folder 7

Giovanni Stringa

  • Venetia, citta nobilissima et singolare, descritta gia in xiii. libri da M. Francesco Sansovino, et hora... corretta, emendata, e piu d'un terzo di cose nuove ampliata, dal... Giovanni Stringa... (Venice; A. Salicato, 1604, incomplete)
Box 15   Folder 8

Miscellaneous documents relating to the singers at St. Mark's, Venice

Subseries 2: Musical Scores

Box 15   Folder 9

Francesco Cavalli Musiche Sacre (Venice; Alessandro Vincenti, 1656) canto, primo choro

Box 15   Folder 10

Francesco Cavalli, Musiche Sacre (Venice; Alessandro Vincenti, 1656) Alto, primo choro

Box 15   Folder 11

Francesco Cavalli, Musiche Sacre (Venice; Alessandro Vincenti, 1656) Tenor, primo choro

Box 15   Folder 12

Francesco Cavalli, Musiche Sacre (Venice; Alessandro Vincenti, 1656) Basso, primo choro

Box 15   Folder 13

Francesco Cavalli, Musiche Sacre (Venice; Alessandro Vincenti, 1656) Canto, secondo choro

Box 15   Folder 14

Francesco Cavalli, Musiche Sacre (Venice; Alessandro Vincenti, 1656) Alto, secondo choro

Box 15   Folder 15

Francesco Cavalli, Musiche Sacre (Venice; Alessandro Vincenti, 1656) Tenor, secondo choro

Box 15   Folder 16

Francesco Cavalli, Musiche Sacre (Venice; Alessandro Vincenti, 1656) Basso, secondo choro

Box 15   Folder 17

Francesco Cavalli, Musiche Sacre (Venice; Alessandro Vincenti, 1656) Violin 1

Box 15   Folder 18

Francesco Cavalli, Musiche Sacre (Venice; Alessandro Vincenti, 1656) Violin 2

Box 15   Folder 19

Francesco Cavalli, Musiche Sacre (Venice; Alessandro Vincenti, 1656) Cello

Box 15   Folder 20

Francesco Cavalli, Musiche Sacre (Venice; Alessandro Vincenti, 1656) Basso continuo

Box 15   Folder 21

Francesco Cavalli, opera extracts, transcriptions

Box 15   Folder 22

Giovanni Croce Chiozzotto

  • Vesperi a otto voci (Venice; Giacomo Vincenti, 1610), basso continuo
Box 16   Folder 1

Collegium Musicum, University of Chicago

  • transcriptions of music for the concert, "Music of the Italian Seicento," 19 February 1977
Box 16   Folder 2

Concerti sacri a 2. 3. e 4. de diversi autori. Dal Rolla, incomplete

Box 16   Folder 3-5

Fra Giovanbattista Fasolo

  • Annuale che contiene quello, che deue far un Organista, per risponder al choro tutto l'anno... opera ottava (Venice; Alessandro Vincenti, 1645)
Box 16   Folder 6

Amadio Freddi

  • Il secondo libro di madrigali a cinque voci, 1614, transcriptions
Box 16   Folder 7

Marco da Gagliano

  • Musiche a una, dua, e tre voci (Venice; Ricciardo Amadino, 1615), score
Box 16   Folder 8

Johannem Havemann, ed.

  • Geistlicher Concerten mit 1. 2. 3. 4. 5. 6. und 7. Stimmen (Berlin; Georg Sengenwalden, 1659), contains pieces by Rovetta, Grandi, Monteverdi
Box 16   Folder 9

Claudio Merula

  • Liber primus sacrarum cantionum quinq. voc. (Venice; Angelum Gardanum, 1578) cantus
  • Liber secund. sacrarum cantionum quinq. voc. (Venice; Angelum Gardanum, 1578) Cantus
Box 16   Folder 10

D. Natal Monferrato

  • Motetti concertati a due, e tre voci. Libro primo, opera terza (N.p.; Francesco Magni detto Gardano, 1660), canto, canto secondo, basso, organo
Box 16   Folder 11

D. Natal Monferrato

  • Motetti concertati a due e tre voci (Venice; Francesco Magni detto Gardano, 1669) Canto primo, canto secondo, basso, organo
Box 17   Folder 1

D. Natal Monferrato

  • Mottetti a due e tre voci. Libro terzo, opera decimaottava (Venice; Gioseppe Sala, 1681), canto primo, canto secondo, basso, organo
Box 17   Folder 2

Marco Ant. Nigro

  • Cantica spiritualia in missis, et vesperis sollennibus senis vocibus et organis concinenda (Venice; Bartolomeum Magni, 1618), cantus primus, bassus
Box 17   Folder 3

Giovanni Rovetta

  • Motetti concertati a due, tre, quattro, & cinque voci con le litanie della Madonna et una messa concertata a voci pari. Opera terza (Venice; Alessandro Vincenti, 1635), canto
Box 17   Folder 4

Giovanni Rovetta

  • Motetti concertati a due, alto
Box 17   Folder 5

Giovanni Rovetta

  • Motetti concertati a due, tenor
Box 17   Folder 6

Giovanni Rovetta

  • Motetti concertati a due, basso
Box 17   Folder 7

Giovanni Rovetta

  • Motetti concertati a due, tre, quattro, & cinque voci con le litanie della Madonna et una messa concertata a voci pari. Opera terza (Venice; Alessandro Vincenti, 1635), basso continuo
Box 17   Folder 8

Giovanni Rovetta

  • Motetti concertati a due, transcriptions
Box 17   Folder 9

Giovanni Rovetta

  • Motetti concertati a due, e tre voci con le letanie della Madona a quattro. Opera quinta (Venice; Alessandro Vincenti, 1639), canto
Box 17   Folder 10

Giovanni Rovetta, Motetti concertati a due, alto

Box 17   Folder 11

Giovanni Rovetta, Motetti concertati a due, basso

Box 17   Folder 12

Giovanni Rovetta, Motetti concertati a due, basso continuo

Box 17   Folder 13

Giovanni Rovetta, Motetti concertati a due, transcriptions

Box 17   Folder 14

Giovanni Rovetta

  • Salmi a tre et quattro voci. Opera settima (Venice; Alessandro Vincenti, 1642), canto, Alto, tenor, bass, violin 1, violin 2, basso continuo
Box 17   Folder 15

Giovanni Rovetta

  • Motetti concertati a due e tre voci. Libro terzo, opera decima (Venice; Alessandro Vincenti, 1647), primo soprano
Box 17   Folder 16

Giovanni Rovetta,

  • Motetti concertati a due e tre voci. Libro terzo, secondo soprano
Box 17   Folder 17

Giovanni Rovetta

  • Motetti concertati a due e tre voci. Libro terzo, basso
Box 17   Folder 18

Giovanni Rovetta

  • Motetti concertati a due e tre voci. Libro terzo, basso continuo
Box 17   Folder 19

Giovanni Rovetta

  • Motetti concertati a due e tre voci. Libro terzo, transcriptions
Box 18   Folder 1

Giovanni Rovetta

  • Motetti a due, tre, e quattro. Libro quarto, opera undecima (Venice; Alessandro Vincenti, 1650), canto
Box 18   Folder 2

Giovanni Rovetta, Motetti a due, alto

Box 18   Folder 3

Giovanni Rovetta, Motetti a due, basso

Box 18   Folder 4

Giovanni Rovetta, Motetti a due, organo

Box 18   Folder 5

Giovanni Rovetta, Motetti a due, transcriptions

Box 18   Folder 6

Giovanni Rovetta

  • Delli salmi a 8. voci. Opera duodecima (Venice; Francesco Magni detto Gardano, 1662), canto, secondo choro
Box 18   Folder 7

Giovanni Rovetta

  • miscellaneous works, photocopy of source at the University of Michigan at Ann Arbor Library
Box 18   Folder 8

Silvestris, Florido de. R.

  • Floridus/Canonicus de Sylvestris/A Barbarano/Has sacras cantiones/ab excellentissimis musices auctoribus/binis, ternis, quaternisque vocibus/suavissimis modulis concinnatas,/in lucem denuo curauit edendas./Pars secunda./ (Rome; Typis Vitalis Mascardi, 1652), cantus, altus, tenor, bassus
Box 18   Folder 9

Francesco Turini

  • Madrigali a una, due, tre, voci con alcune sonate a due, & a tre. Libro primo (Venice; Bartolomeo Magni, 1624 [reprint of 1621 edition]), transcriptions
Box 18   Folder 10

Francesco Turini

  • Madrigali a due, tre e Quattro voci con alcuni concertati con due violini, et una cantata a voce sola in stile recitativo. Libro secondo (Venice; Alessandro Vincenti, 1624) Transcriptions
Box 18   Folder 11

Francesco Turini

  • Madrigali a cinque cioe tre voci e due violini. Libro terzo (Venice; Alessandro Vincenti, 1629), transcriptions
Box 18   Folder 12-13

Giovanni Valentini

  • Secondo libro de madrigali a 4. 5. 8. 9. 10. et 11. concertati con voci, et istromenti (Venice; Giacomo Vincenti, 1616), transcriptions
Box 18   Folder 14

Giovanni Valentini

  • Musiche da camera. Libro quarto. A due, tre, quattro, cinque, sei voci, parte concertate con voci sole, & parte con voci, & istromenti; nelle quali si contengono madrigali, & altre varie compositioni (Venice; Alessandro Vincenti, 1621), transcriptions
Box 19   Folder 1

Adrian Willaert

  • I sacri e santi salmi che si cantano a vespero et compieta, con li suoi hinni, responsorii, et benedicamus... a uno choro, et a quatro voci. Novamente ristampato, con la gionta di dui Magnificat (Venice; Francesco Rampazetto, n.d.), cantus, altus, tenor, bassus
Box 19   Folder 2

D. Petro Andrea Ziani

  • Sacrae laudes opus sextum (Venice; Franciscum Magni, 1660), cantus
Box 19   Folder 3

D. Petro Andrea Ziani

  • Sacrae laudes opus sextum (Venice; Franciscum Magni, 1660), altus
Box 19   Folder 4

D. Petro Andrea Ziani

  • Sacrae laudes opus sextum (Venice; Franciscum Magni, 1660), tenor
Box 19   Folder 5

D. Petro Andrea Ziani

  • Sacrae laudes opus sextum (Venice; Franciscum Magni, 1660), quintus
Box 19   Folder 6

D. Petro Andrea Ziani

  • Sacrae laudes opus sextum (Venice; Franciscum Magni, 1660), bassus
Box 19   Folder 7

D. Petro Andrea Ziani

  • Sacrae laudes opus sextum (Venice; Franciscum Magni, 1660), violin 1
Box 19   Folder 8

D. Petro Andrea Ziani

  • Sacrae laudes opus sextum (Venice; Franciscum Magni, 1660), violin 2
Box 19   Folder 9

D. Petro Andrea Ziani

  • Sacrae laudes opus sextum (Venice; Franciscum Magni, 1660), organum
Box 19   Folder 10-11

D. Petro Andrea Ziani

  • Sacrae laudes opus sextum (Venice; Franciscum Magni, 1660), transcriptions
Box 19   Folder 12-13

Miscellaneous music, photocopies of original editions

Box 19   Folder 14

Miscellaneous transcriptions, Turini, Monferrato, Rovetta, Willaert

Box 19   Folder 15-16

Miscellaneous transcriptions

Box 19   Folder 17

Incomplete transcriptions

Series VI: Audio Tapes

Box 20

Continuo Madrigals, Freddi, Turini, Valentini, 18 December 1979

Box 20

A Musical Anthology of the Orient Cesti, Orontea, 5 tapes

Box 20

UCLA Faculty Collegium, March 11, 1972, 2 tapes

Box 20

UCLA Faculty Collegium, May 28, 1975

Box 20

UCLA Faculty Collegium, December 19, 1975, 3 tapes

Box 20

Mozart, The Marriage of Figaro, March 21, 1969, 2 tapes

Box 21

Marco da Gagliano, La Dafne, ed. James H. Moore, UCLA Collegium, Frederick Hammond, director, November 20, 1971, 2 tapes

Box 21

Marco da Gagliano, La Dafne, master tape, 2 tapes

Box 21

Marco da Gagliano, La Dafne, 2 tapes

Box 21

Marco da Gagliano, La Dafne, ABC Records, July 22, 1975

Box 21

Marco da Gagliano, La Dafne, version by Jürgen Jurgens, with Eva Bornemann, Nigel Rogers, Rotraude Hansmann, Hamburg Monteverdi Choir, CamerataAcademica Orchestra, conducted by Jürgen Jurgens, Hamburg, NDR, 1969 (via ORTF)

Box 21

Francesco Cavalli, Vespers, 4 tapes

Box 21

American Musicological Society tape

Box 21

Larry Lipkis, assignments for electronic music composition, Spring 1973

Box 22

James Moore, Fugue on a Beatle Theme

Box 22

Frederick Hammond in concert at I Tatti, April 14, 1972, 2 tapes

Box 22

Frederick Hammond, Frescobaldi Toccate II

Box 22

University of Chicago Collegium concert, February 19, 1977 (Turini, Castello, madrigals)

Box 22

Musical examples for paper (2)

Box 22

Caccini madrigals; Berg (?) opera

Box 22

Rehearsal, chorus; unidentified

Box 22

J.S. Bach violin music, 2 tapes

Box 22

Unidentified, 1 tape

Series VII: Musical Compositions

Box 23

James Moore, Fog, poetry by Carl Sandburg

Box 23

James Moore, Child of the Romans, poetry by Carl Sandburg

Box 23

Paul Reale, Motet: Miserere for SATB chorus a capella

Box 23

Paul Reale, Terza Prattica for the UCLA Collegium Musicum

Box 24

Salomone Rossi, Il Primo Libro delle Sinfonie e Gagliarde, a 3-5 voci, Venice, 1607 Amadino, musical score in pencil and photocopy