Integrating The Life of the Mind: African Americans at The University of Chicago 1870-1940
Web Exhibits - Special Collections Research Center The University of Chicago Library
  • Introduction

  • The Myth Of Openness
  • The Truth And Controversy

  • The Old University of Chicago: Towards Integration
  • The Old University of Chicago: Idiosyncratic Advocacy
  • Founding a new University
  • Who were the First African Americans at the Univerisity of Chicago?
  • The Social Question - Round One
  • Future Intellectuals: Monroe Nathan Work
  • Future Intellectuals: Carter Woodson
  • Future Intellectuals: Ernest  Everett Just
  • Future Intellectuals: Georgiana Simpson
  • The Social Question - Round Two
  • Future Intellectuals: Albert And Katherine Dunham
  • Future Intellectuals: Benjamin E. Mays
  • Future Intellectuals: Lorenzo Dow Turner
  • Models & Mentors
  • Patrons
  • Strategies for Coping with the Social Issue
  • Networks
  • A Credit to the race or a race man? Studying Science
  • A Credit to the race or a race man? Studying Sociology
  • A Credit to the race or a race man? Studying History
  • The Black Metropolis Research Consortium

  • Exhibit Checklist
  • About this Exhibit
  • Rights and Reproductions

 

 

 

Future Intellectuals: Albert and Katherine Dunham

Perhaps the most famous African American alumna of the University of Chicago even today is dancer Katherine Dunham. Her brother Albert had preceded her to the University, where he earned an AB, MA, and PhD degree in Philosophy (1928, 1931, 1933).

Albert (born in 1907) and Katherine (born in 1909) were raised in Glen Ellyn and Joliet, Illinois. Katherine matriculated at the University in 1928 and gravitated to the intellectual circles surrounding Professor of Anthropology, and later Dean of the Social Sciences, Robert Redfield. Her future husband and set designer, Canadian John Pratt, was also a student of Redfield, as were other artistically-inclined students, for instance the future writer Marian Minus, with whom the novelist Richard Wright was for a time in love.

Dunham soon left the University to pursue both dance and ethnographic study of dance in the Caribbean on a Julius Rosenwald Fellowship under the supervision of Melville Herskovitz of Northwestern University. She returned to the University and earned her PhB in 1936. She immediately began pursuit of a PhD in Anthropology.

The coursework with Redfield provided Dunham and her fellow students with access to non-Western cultural traditions, which they then drew on throughout their lives to fuel their artistic production. Deciding that her true calling was the theater, Dunham moved to New York and founded the Katherine Dunham Dance Company.

She died in 2006 as one of the artistic luminaries of the United States.

Photograph of Katherine Dunham with child, 1936

1. Photograph of Katherine Dunham with child, undated. Archival Photographic Files.

John Pratt. "The Art of Hawaii and New Zealand: A Contrast and Comparison:' ca. 1935-1936

4. John Pratt. "The Art of Hawaii and New Zealand: A Contrast and Comparison", [ca. 1935-1936]. Robert Redfield Papers.

Dunham and Pratt would break social taboos and laws in several states to marry across race lines in 1939. They were married until Pratt’s death in 1986. An artist, Pratt also became Dunham’s set designer.

Integrating the Life of the Mind: African Americans at the University of Chicago 1870-1940.
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