On Equal Terms: Educating Women at the University of Chicago
Web Exhibits - Special Collections Research Center The University of Chicago Library
  • Introduction

  • Envisioning a Place for Women at the University
  • Marion Talbot - Dean of Women
  • The Debate Over Sex Segregation
  • Women's Academics
  • Housing Women on Campus
  • Women's Clubs
  • Women's Athletics and Physical Culture
  • Ida Noyes Hall - A Center for Women on Campus
  • Social Life
  • Home Economics
  • Alumnae Club and Early Women Graduates
  • Women's Philanthropy and Social Settlements
  • Women's Politics and the Welfare State
  • Women in the Era of World Wars
  • Courtship and Dating at Mid-Century
  • Married Women and the Postwar University
  • Expansion of Student Housing
  • Faculty Wives' Dinners
  • Postwar Student Movements
  • "Second-Wave" Feminism on Campus
  • Women's Health and Abortion Rights
  • "The Women Question in Acadamia"
  • Women's Place in the University, Revisited
  • Student Life Today

  • Exhibit Checklist
  • About this Exhibit
  • Rights and Reproductions

Ida Noyes Hall - A Center for Women on Campus 

By 1903, University men had received the gift of the Reynolds Club and the Charles L. Hutchinson Commons as well as athletic facilities in Bartlett Gym.  University women, by contrast, lacked equivalent social and recreational spaces.  At the June 1913 convocation ceremonies, the University announced a $300,000 gift from industrialist La Verne Noyes for a women's clubhouse in memory of his late wife, Ida.  

Dean Talbot immediately began to conceptualize the space and its functions.  In planning memos, Talbot outlined a clubhouse where a young woman could "share in the social life in such a way as to give expression to her individual qualities, to serve as hostess not only to other women but to men, and to give her training in forms of social expression which will make her academic training more effective as she mingles among people."   As part of this vision-and unlike the "manly atmosphere" of the Reynolds Club and Hutch Commons-designers built and furnished Ida Noyes Hall in the style of an English manor home.  Young alumnae and faculty joined a committee of fifteen women to the building's décor.

Ida Noyes Hall opened in June 1916 with a lavish student performance held in the women's quadrangle.  Painter Jessie Arms Botke captured the  "Masque of Youth" in her murals for the second-floor theater. Visitors toured the new dining rooms, theater, club meeting spaces, ballroom, and athletic facilities-including a gymnasium, swimming pool, and trophy room for the WAA. 

While Ida Noyes Hall was designed to fulfill a specific need for women's athletics and sociability, it was never an entirely all-female space.  If the sexes were to commingle, University administrators preferred they did so in supervised campus locations. Thus, Ida Noyes hosted a busy calendar of public lectures, club meetings, and social events open to the entire University community

2. Letter to Miss Anderson, July 18, 1916. University of Chicago Office of the President, Harper, Judson and Burton Administrations Records. 2. Letter to Miss Anderson, July 18, 1916. University of Chicago Office of the President, Harper, Judson and Burton Administrations Records.

Students and alumni attended the grand opening celebrations for Ida Noyes Hall in June 1916.

3. Student Handbook, 1916-1917. University of Chicago Student Papers and Ephemera Collection. 3. Student Handbook, 1916-1917. University of Chicago Student Papers and Ephemera Collection.
4. Ida Noyes Refectory, n.d. Archival Photographic Files. 4. Ida Noyes Refectory, n.d. Archival Photographic Files.
On Equal Terms: Educating Women at the University of Chicago. Monica Mercado and Katherine Turk.
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