Book Use Book Theory:1500 - 1700
Web Exhibits - Special Collections Research CenterThe University of Chicago Library
  • Introduction

  • Section 1: Technologies of Use
  • Making Books, Using Books
  • Marking Books
  • Size
  • Title
  • Plate
  • Layout
  • Book

  • Section 2: Parts and Wholes: From Matter to Method
  • Bookends: Preface and Errata
  • Index
  • Diagram
  • Commonplace Thinking
  • Case Thinking

  • Section 3: The How-to Book
  • How to Express Yourself
  • How to Do Things
  • How to Be Somebody
  • How to Look After Yourself
  • How to Find Your Way

  • Section 4: Dimensional Thinking
  • Measuring Space
  • Coordinating Time
  • Toward Another Dimension
  • Representing the Unseen
  • Place, Time, Memory

  • Section 5: Taking Liberties
  • Collective Authority and the Encyclopedia
  • Use and Abuse: Anatomy and Pornography

  • Exhibit Checklist
  • About this Exhibit
  • Rights and Reproductions

Making Books, Using Books

The two books in this section model particular relationships between books and their users. Albrecht Dürer's Vnderweysung der Messung (The Art of Measurement), one of the most celebrated early manuals for artists and craftsmen, imagines readers as users, insofar as it consistently directs them, through illustration and textual narration, to perform tasks and so apprehend theory through practice. The illustration shown demonstrates how to draw a solid object and its shadow. The paper fold-out is required for the representation of perspectival distance. But by placing the human figure, the implied reader or user, outside the book, the illustration is also paradigmatic of how early books imagined their users moving beyond them.

For a book to be usable, it must of course be legible. Hieronymus Hornschuch's Orthotypographia was the first technical manual for printers, specifically for correctors, those hired by the printing house to proofread the individual sheets of a book prior to their mass reproduction. Hornschuch's manual for regularizing production aimed both to eliminate error and make books clearer and thus more usable; at the same time, it demonstrates how a book could be subject to use even during the process of making it. The proofreaders' marks that Hornschuch illustrates are designed, of course, to vanish from the corrected page and the printed book, rendering the process of correction all but invisible in the historical archive of early print. So Hornschuch's printed marks remind us how the corrector's manuscript marks, though seldom preserved, were integral to the making of books: proofreading is on a single continuum with the reading it facilitates, evincing a highly practical (if conventional) engagement, on the part of a specific kind of reader, with an author's text.

1. Albrecht Dürer (1471-1528). Vnderweysung der Messung . . . . [Nüremberg: n.p.] 1525. 1. Albrecht Dürer (1471-1528). Vnderweysung der Messung . . . . [Nüremberg: n.p.] 1525.
2a. Hieronymus Hornschuch (c. 1573-1616). Orthotypographia. Leipzig: Michaël Lantzenberger excudebat, 1608. 2a. Hieronymus Hornschuch (c. 1573-1616). Orthotypographia. Leipzig: Michaël Lantzenberger excudebat, 1608.
 2b. Hieronymus Hornschuch (c. 1573-1616). Orthotypographia. Leipzig: Michaël Lantzenberger excudebat, 1608. 2b. Hieronymus Hornschuch (c. 1573-1616). Orthotypographia. Leipzig: Michaël Lantzenberger excudebat, 1608.
   
Book Use, Book Theory: 1500-1700. Bradin Cormack and Carla Mazzio.
© The University of Chicago Library The University of Chicago Library, 1100 East 57th Street Chicago Illinois 60637