Music in the Anthropocene
The music of John Luther Adams is inextricably linked to the natural world. A longtime resident of Alaska, the majority of his works deal with its landscape, culture, and environment. Living in the sub-arctic climate provided Adams with a firsthand glimpse of the ravages of climate change: “In our last decade here, the summers began to swing from one extreme to the other. A summer of vast wildfires would be followed by a summer of seemingly incessant rain. The first snows of autumn, which we could always expect in September, now came as late as the end of November. Spring breakup, which used to arrive suddenly and explosively in May, now became a slow meltdown, beginning as early as March. Winter temperatures became dramatically milder, and our sub-Arctic winters lost the pristine cold and deep stillness they once had.”
Adams’ largest orchestral piece, the Pulitzer-Prize-winning Become Ocean, deals explicitly with the threat of climate change, as he explained in his terse note for the 40-minute work:
“Life on this earth first emerged from the sea. As the polar ice melts and sea level rises, we humans find ourselves facing the prospect that once again we may quite literally become ocean.”