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Addison, Joseph, 1672 -- 1719 [1711], No. 592 [in, The Spectator] (Printed for Sam. Buckley ... and Sold by A. Baldwin, London, 1714) (subjects=Criticism; Dramatic performance; Neoclassicism; ; ; ; ; .) [Addison,J:No] (genre=m).

Addison, Joseph, 1672 -- 1719 [1711], No. CCCCXIII [in, The Spectator] (Printed for Sam. Buckley ... and Sold by A. Baldwin, London, 1712) (subjects=Imagination and fancy; Pleasure; Religion; Science; Nature; ; ; .) [Addison,J:NoCCCCXIII] (genre=m).

Addison, Joseph, 1672 -- 1719 [1711], No. CCCCXII [in, The Spectator] (Printed for Sam. Buckley ... and Sold by A. Baldwin, London, 1712) (subjects=Imagination and fancy; Pleasure; The senses; Sublime; Landscape; Aesthetics; ; .) [Addison,J:NoCCCCXII] (genre=m).

Addison, Joseph, 1672 -- 1719 [1711], No. CCCCXIV [in, The Spectator] (Printed for Sam. Buckley...and Sold by A.Baldwin, London, 1712) (subjects=Imagination and fancy; Pleasure; Sublime; Landscape; Nature; Painting; ; .) [Addison,J:NoCCCCXIV] (genre=m).

Addison, Joseph, 1672 -- 1719 [1711], No. CCCCXIX [in, The Spectator] (Printed for Sam. Buckley ... and Sold by A. Baldwin ..., London, 1712) (subjects=Imagination and fancy; Fantastic literature; Shakespeare William; Allegory; Pleasure; ; ; .) [Addison,J:NoCCCCXIX] (genre=m).

Addison, Joseph, 1672 -- 1719 [1711], No. CCCCXI [in, The Spectator] (Printed for Sam. Buckley ... and Sold by A. Baldwin, London, 1712) (subjects=Imagination and fancy; Pleasure; Morality; The senses; ; ; ; .) [Addison,J:NoCCCCXI] (genre=m).

Addison, Joseph, 1672 -- 1719 [1711], No. CCCCXVIII [in, The Spectator] (Printed for Sam. Buckley ... and Sold by A. Baldwin, London, 1712) (subjects=Imagination and fancy; Pleasure; Mimesis; Nature; ; ; ; .) [Addison,J:NoCCCCXVIII] (genre=m).

Addison, Joseph, 1672 -- 1719 [1711], No. CCCCXVII [in, The Spectator] (Printed for Sam. Buckley ... and Sold by A. Baldwin, London, 1712) (subjects=Imagination and fancy; Pleasure; Imagery; Sublime; Classical literature; Milton John; ; .) [Addison,J:NoCCCCXVII] (genre=m).

Addison, Joseph, 1672 -- 1719 [1711], No. CCCCXVI [in, The Spectator] (Printed for Sam. Buckley ... and Sold by A. Baldwin, London, 1712) (subjects=Imagination and fancy; Pleasure; Taste; Poetic language; ; ; ; .) [Addison,J:NoCCCCXVI] (genre=m).

Addison, Joseph, 1672 -- 1719 [1711], No. CCCCXV [in, The Spectator] (Printed for Sam. Buckley ... and Sold by A. Baldwin, London, 1712) (subjects=Imagination and fancy; Pleasure; The senses; ; ; ; ; .) [Addison,J:NoCCCCXV] (genre=m).

Addison, Joseph, 1672 -- 1719 [1711], No. CCCCXXI [in, The Spectator] (Printed for Sam. Buckley ... and Sold by A. Baldwin, London, 1712) (subjects=Imagination and fancy; Metaphor; ; ; ; ; ; .) [Addison,J:NoCCCCXXI] (genre=m).

Addison, Joseph, 1672 -- 1719 [1711], No. CCCCXX [in, The Spectator] (Printed for Sam. Buckley ... and Sold by A. Baldwin, London, 1712) (subjects=Imagination and fancy; Pleasure; Science; History; ; ; ; .) [Addison,J:NoCCCCXX] (genre=m).

Addison, Joseph, 1672 -- 1719 [1711], No. CCCIII [in, The Spectator] (Printed for Sam. Buckley ... and Sold by A. Baldwin, London, 1712) (subjects=Milton John; Paradise Lost; Characterisation; Sublime; Metaphor; ; ; .) [Addison,J:NoCCCIII] (genre=m).

Addison, Joseph, 1672 -- 1719 [1711], No. CCCIX [in, The Spectator] (Printed for Sam. Buckley ... and Sold by A. Baldwin, London, 1712) (subjects=Milton John; Paradise Lost; Characterisation; Allegory; ; ; ; .) [Addison,J:NoCCCIX] (genre=m).

Addison, Joseph, 1672 -- 1719 [1711], No. CCCLI [in, The Spectator] (Printed for Sam. Buckley ... and Sold by A. Baldwin, London, 1712) (subjects=Milton John; Paradise Lost; Virgil; Aeneid; The Bible; Classical literature; ; .) [Addison,J:NoCCCLI] (genre=m).

Addison, Joseph, 1672 -- 1719 [1711], No. CCCLVII [in, The Spectator] (Printed for Sam. Buckley ... and Sold by A. Baldwin, London, 1712) (subjects=Milton John; Paradise Lost; The Bible; Allegory; Machinery; Classical literature; ; .) [Addison,J:NoCCCLVII] (genre=m).

Addison, Joseph, 1672 -- 1719 [1711], No. CCCLXIII [in, The Spectator] (Printed for Sam. Buckley ... and Sold by A. Baldwin, London, 1712) (subjects=Milton John; Paradise Lost; The Bible; Classical literature; Machinery; ; ; .) [Addison,J:NoCCCLXIII] (genre=m).

Addison, Joseph, 1672 -- 1719 [1711], No. CCCLXIX [in, The Spectator] (Printed for Sam. Buckley ... and Sold by A. Baldwin, London, 1712) (subjects=Milton John; Paradise Lost; Classical literature; The Bible; ; ; ; .) [Addison,J:NoCCCLXIX] (genre=m).

Addison, Joseph, 1672 -- 1719 [1711], No. CCCXLV [in, The Spectator] (Printed for Sam. Buckley ... and Sold by A. Baldwin, London, 1712) (subjects=Milton John; Paradise Lost; The Bible; Characterisation; ; ; ; .) [Addison,J:NoCCCXLV] (genre=m).

Addison, Joseph, 1672 -- 1719 [1711], No. CCCXV [in, The Spectator] (Printed for Sam. Buckley ... and Sold by A. Baldwin, London, 1712) (subjects=Milton John; Paradise Lost; Religion; Mimesis; ; ; ; .) [Addison,J:NoCCCXV] (genre=m).

Addison, Joseph, 1672 -- 1719 [1711], No. CCCXXI [in, The Spectator] (Printed for Sam. Buckley ... and Sold by A. Baldwin, London, 1712) (subjects=Milton John; Paradise Lost; Characterisation; Machinery; ; ; ; .) [Addison,J:NoCCCXXI] (genre=m).

Addison, Joseph, 1672 -- 1719 [1711], No. CCCXXVII [in, The Spectator] (Printed for Sam. Buckley ... and Sold by A. Baldwin, London, 1712) (subjects=Milton John; Paradise Lost; Characterisation; The Bible; Dramatic unities; ; ; .) [Addison,J:NoCCCXXVII] (genre=m).

Addison, Joseph, 1672 -- 1719 [1711], No. CCCXXXIII [in, The Spectator] (Printed for Sam. Buckley ... and Sold by A. Baldwin, London, 1712) (subjects=Milton John; Paradise Lost; Imagination and fancy; Classical literature; Sublime; Machinery; ; .) [Addison,J:NoCCCXXXIII] (genre=m).

Addison, Joseph, 1672 -- 1719 [1711], No. CCCXXXIX [in, The Spectator] (Printed for Sam. Buckley ... and Sold by A. Baldwin, London, 1712) (subjects=Milton John; Paradise Lost; Sublime; The Bible; Blackmore Sir Richard; Dramatic unities; ; .) [Addison,J:NoCCCXXXIX] (genre=m).

Addison, Joseph, 1672 -- 1719 [1711], No. CCLXVII [in, The Spectator] (Printed for Sam. Buckley ... and Sold by A. Baldwin, London, 1712) (subjects=Milton John; Paradise Lost; Epic poetry; Classical literature; Dramatic unities; ; ; .) [Addison,J:NoCCLXVII] (genre=m).

Addison, Joseph, 1672 -- 1719 [1711], No. CCLXXIII [in, The Spectator] (Printed for Sam. Buckley ... and Sold by A. Baldwin, London, 1712) (subjects=Milton John; Paradise Lost; Epic poetry; Classical literature; Dramatic unities; ; ; .) [Addison,J:NoCCLXXIII] (genre=m).

Addison, Joseph, 1672 -- 1719 [1711], No. CCLXXIX [in, The Spectator] (Printed for Sam. Buckley ... and Sold by A. Baldwin, London, 1712) (subjects=Milton John; Paradise Lost; Epic poetry; Classical literature; Characterisation; Sublime; ; .) [Addison,J:NoCCLXXIX] (genre=m).

Addison, Joseph, 1672 -- 1719 [1711], No. CCLXXXV [in, The Spectator] (Printed for Sam. Buckley ... and Sold by A. Baldwin, London, 1712) (subjects=Milton John; Paradise Lost; Poetic language; Sublime; Register; Syntax; ; .) [Addison,J:NoCCLXXXV] (genre=m).

Addison, Joseph, 1672 -- 1719 [1711], No. CCXCI [in, The Spectator] (Printed for Sam. Buckley ... and Sold by A. Baldwin, London, 1712) (subjects=Milton John; Paradise Lost; Criticism; ; ; ; ; .) [Addison,J:NoCCXCI] (genre=m).

Addison, Joseph, 1672 -- 1719 [1711], No. CCXCVII [in, The Spectator] (Printed for Sam. Buckley ... and Sold by A. Baldwin, London, 1712) (subjects=Milton John; Paradise Lost; Epic poetry; Poetic language; Digression; Plot; ; .) [Addison,J:NoCCXCVII] (genre=m).

Addison, Joseph, 1672 -- 1719 [1711], No. CCXLIX [in, The Spectator] (Printed for Sam. Buckley ... and Sold by A. Baldwin, London, 1711) (subjects=Humour; Comedy; Burlesque; ; ; ; ; .) [Addison,J:NoCCXLIX] (genre=m).

Addison, Joseph, 1672 -- 1719 [1711], No. CLX [in, The Spectator] (Printed for Sam. Buckley ... and Sold by A. Baldwin, London, 1711) (subjects=Genius; Metaphor; Classical literature; ; ; ; ; .) [Addison,J:NoCLX] (genre=m).

Addison, Joseph, 1672 -- 1719 [1711], No. LXII [in, The Spectator] (Printed for Sam. Buckley ... and Sold by A. Baldwin, London, 1711) (subjects=Wit; Criticism; Metaphor; Taste; ; ; ; .) [Addison,J:NoLXII] (genre=m).

Addison, Joseph, 1672 -- 1719 [1711], No. LXXIV [in, The Spectator] (Printed for Sam. Buckley ... and Sold by A. Baldwin, London, 1711) (subjects=Chevy Chase; Aeneid; Virgil; Taste; Ballad; Poetic language; ; .) [Addison,J:NoLXXIV] (genre=m).

Addison, Joseph, 1672 -- 1719 [1711], No. LXX [in, The Spectator] (Printed for Sam. Buckley ... and Sold by A. Baldwin, London, 1711) (subjects=Chevy Chase; Ballad; Aeneid; Virgil; Taste; Politics; ; .) [Addison,J:NoLXX] (genre=m).

Addison, Joseph, 1672 -- 1719 [1711], No. XL [in, The Spectator] (Printed for Sam. Buckley ... and Sold by A. Baldwin, London, 1711) (subjects=Poetic justice; Tragedy; Tragicomedy; Dramatic language; Plot; ; ; .) [Addison,J:NoXL] (genre=m).

Addison, Joseph, 1672 -- 1719 [1734], A Discourse on Antient and Modern Learning ... By the late Right Honourable Joseph Addison, Esq. (Printed for T. Osbourne, London, 1734) (subjects=Allusion; Style; Characterisation; Classical literature; Pleasure; Homer; ; .) [Addison,J:DiscourseAntientModernLearningByRightHonourableJosephAddison] (genre=m).

Agrippa von Nettesheim, Heinrich Cornelius, 1486? -- 1535 [1530], Henrie Cornelius Agrippa, of the Vanitie and vncertaintie of Arts and Sciences, Englished by Ia. San. Gent (Imprinted ... by Henry Wykes, London, 1569) (subjects=The arts; Science; Academia; Interpretation; Ethics; Religion; ; .) [Agrippa,v:HenrieCorneliusAgrippa] (genre=m).

Akenside, Mark, 1721 -- 1770 [1772], The Pleasures of the Imagination [in, The Poems Of Mark Akenside] (Printed by W. Bowyer and J. Nichols, London, 1772) (subjects=Imagination and fancy; Sublime; Pleasure; Aesthetics; Satire; Mimesis; ; .) [Akenside,M:PleasuresImagination] (genre=m).

Alison, Archibald, 1757 -- 1839 [1790], Essays on the Nature and Principles of Taste. By The Revd. Archibald Alison (Bell and Bradfute, Edinburgh, 1790) (subjects=Taste; Aesthetics; Sublime; Imagination and fancy; Emotion; Pleasure; ; .) [Alison,A:EssaysNaturePrinciplesTasteByRevdArchibaldAlison] (genre=m).

Alison, Archibald, Sir, 1792 -- 1867. [1845], The Historical Romance [in, Blackwood's Edinburgh Magazine. No. CCCLIX. September, 1845. Vol. LVIII] (, Edinburgh, 1845) (subjects=Historical novel; Romance; Novel; Class; Morality; Scott Sir Walter; ; .) [Alison,A:HistoricalRomance] (genre=m).

Alison, Archibald, Sir, 1792 -- 1867. [1845], Homer, Dante, And Michael Angelo [in, Blackwood's Edinburgh Magazine. VOL LVII, January-June, 1845] (William Blackwood & Sons, London, 1845) (subjects=Michelangelo Buonarroti; Dante Alighieri; Homer; Milton John; Genius; Influence; ; .) [Alison,A:Homer] (genre=m).

Alison, Archibald, Sir, 1792 -- 1867. [1846], The Greek and Romantic Drama [in, Blackwood's Edinburgh Magazine] (William Blackwood & Sons., Edinburgh, 1846) (subjects=Greek tragedy; Poetic drama; Author; Actors and acting; Dramatic performance; Morality; Tragedy; .) [Alison,A:GreekRomanticDrama] (genre=m).

Allingham, William, 1824 -- 1889 [1893], Essay III. On Poetry [in, Varieties in Prose; By William Allingham; Volume III; Irish Sketches Essays Etc.] (Longmans, Green And Co., London, 1893) (subjects=Nature of poetry; Nature of prose; Poet; Metre; Emotion; Imagination and fancy; ; .) [Allnghm,W:EssayIIIOnPoetry] (genre=m).

Althusser, Louis, 1918 -- 1990 [1970], Ideology and Ideological State Apparatuses (Notes towards an Investigation) [in, Lenin and Philosophy and Other Essays: Translated from the French by Ben Brewster] (NLB, [London], 1971) (subjects=Marxist theory; Ideology; Education; Interpellation; Subjectivity; Class; Society; .) [Althssr,L:IdeologyIdeologicalStateApparatuses] (genre=m).

Althusser, Louis, 1918 -- 1990 [1970], Marxism is not a Historicism [in, Reading Capital; Louis Althusser; Étienne Balibar] (Verso, London, 1970) (subjects=Marxist theory; Historicism; Humanism; Ideology; Philosophy; History; ; .) [Althssr,L:MarxismHistoricism] (genre=m).

Althusser, Louis, 1918 -- 1990 [1972], Marx's Relation to Hegel [in, Montesquieu, Rousseau, Marx] (NLB, London, 1982) (subjects=Marxist theory; Hegel Georg Wilhelm Friedrich; Feuerbach Ludwig; Philosophy; History; Dialectic; ; .) [Althssr,L:Marx] (genre=m).

Anon. [1599], [A Warning for Faire Women] [in, A Warning for Faire Women] (Willion Aspley, London, 1599) (subjects=Renaissance drama; Tragedy; Comedy; History play; ; ; ; .) [Anon.,:[WarningFaireWomen] (genre=x).

Anon. [1625], A Shorte Treatise Against Stage -- Playes (, , 1625) (subjects=Renaissance drama; Religion; Puritanism; Ethics; Censorship; Actors and acting; ; .) [Anon.,:ShorteTreatiseAgainstStagePlayes] (genre=x).

Anon. [1643], The Actors Remonstrance, or Complaint ... (Printed for Edw. Nickson ..., London, 1643) (subjects=Actors and acting; Renaissance drama; Morality; Censorship; Puritanism; ; ; .) [Anon.,:ActorsRemonstrance] (genre=x).

Anon. [1649], Mr. VVilliam Prynn His Defence of Stage-Plays, or A Retraction of a former Book of his called Histrio-Mastix (, London, 1649) (subjects=Renaissance drama; Puritanism; Actors and acting; Gender; Censorship; Morality; ; .) [Anon.,:MrVVilliamPrynnHisDefenceStagePlays] (genre=m).

Anon. [1700], The Preface [in, Lucian's Charon: or A Survey of The Follies of Mankind. Translated from the Greek. With Notes, and A Prefatory Dialogue in Vindication of Translations] (Printed for Loudon Farrow ..., London, 1700) (subjects=Translation; Classical literature; Originality; ; ; ; ; .) [Anon.,:Preface] (genre=x).

Anon. [1853], Recent Works of Fiction. Ruth. By the Author of Mary Barton [in, The Prospective Review. Vol. IX] (John Chapman, London, 1853) (subjects=Gaskell Elizabeth; Novel; Characterisation; Society; Morality; ; ; .) [Anon.,:RecentWorksFictionRuthByAuthorMaryBarton] (genre=m).

Aristophanes [Antiquity], Frogs [l. 830 -- 1481] [in, Ancient Literary Criticism ... edited by D. A. Russell ... and M. Winterbottom] (Clarendon Press, Oxford, 1972) (subjects=Politics; Euripides; Aeschylus; Greek tragedy; Morality; Metre; ; .) [Arstphns,:Frogs] (genre=m).

Aristotle, 384 -- 322 BC [Antiquity], Catharsis (Politics, 1341b32 ff.) [in, Ancient Literary Criticism ... edited by D. A. Russell ... and M. Winterbottom (Clarendon Press, Oxford, 1972) (subjects=Catharsis; Emotion; Music; Pleasure; ; ; ; .) [Arsttl,3:Catharsis] (genre=m).

Aristotle, 384 -- 322 BC [Antiquity], The Origins of Aesthetic Pleasure [Rhetoric 1]; Prose Style [Rhetoric 3] [in, Ancient Literary Criticism ... edited by D. A. Russell ... and M. Winterbottom] (Clarendon Press, Oxford, 1972) (subjects=Oratory; Nature of prose; Style; Aesthetics; Metaphor; Rhetoric; ; .) [Arsttl,3:OriginsAestheticPleasure] (genre=m).

Aristotle, 384 -- 322 BC [Antiquity], Poetics [in, Ancient Literary Criticism ... edited by D. A. Russell ... and M. Winterbottom] (Clarendon Press, Oxford, 1972) (subjects=Pleasure; Epic poetry; Mimesis; Nature of poetry; Tragedy; Plot; Anagnorisis; Peripeteia.) [Arsttl,3:Poetics] (genre=m).

Arnold, Matthew, 1822 -- 1888 [1853], Preface [in, Poems. By Matthew Arnold] (Longman, Brown, Green, and Longmans, London, 1853) (subjects=Plot; Poetic theme; Shakespeare William; Pleasure; Classical literature; Grand style; ; .) [Arnold,M:Preface] (genre=m).

Arnold, Matthew, 1822 -- 1888 [1857], On the Modern Element in Literature [in, MacMillan's Magazine] (MacMillan and Co., Cambridge, 1869) (subjects=Hellenism / Hebraism; Classical literature; Classical civilisation; History; ; ; ; .) [Arnold,M:OnModernElementLiterature] (genre=m).

Arnold, Matthew, 1822 -- 1888 [1861], On Translating Homer; Three Lectures (Longman, Green, Longman and Roberts, London, 1861) (subjects=Translation; Iliad; Homer; Grand style; Style; Metre; ; .) [Arnold,M:OnTranslatingHomer] (genre=m).

Arnold, Matthew, 1822 -- 1888 [1862], On Translating Homer; Last Words (Longman, Green, Longman and Roberts, London, 1862) (subjects=Translation; Homer; Iliad; Grand style; Metre; Newman Francis; ; .) [Arnold,M:OnTranslatingHomer] (genre=m).

Arnold, Matthew, 1822 -- 1888 [1865], Eugénie de Guérin [in, Essays in Criticism] (Macmillon and Co., Cambridge, 1865) (subjects=Religion; De Guérin Eugénie; De Guérin Maurice; Religion; ; ; ; .) [Arnold,M:Eug] (genre=m).

Arnold, Matthew, 1822 -- 1888 [1865], The Function of Criticism at the Present Time [in, Essays in Criticism] (MacMillan and Co., Cambridge, 1865) (subjects=Criticism; Creativity; Politics; Society; Religion; Philistinism; ; .) [Arnold,M:FunctionCriticismPresentTime] (genre=m).

Arnold, Matthew, 1822 -- 1888 [1865], Heinrich Heine [in, Essays in Criticism] (MacMillan and Co., Cambridge, 1865) (subjects=Romanticism; German literature; Heine Heinrich; Philistinism; Hellenism / Hebraism; Nationality; ; .) [Arnold,M:HeinrichHeine] (genre=m).

Arnold, Matthew, 1822 -- 1888 [1865], Joubert [in, Essays in Criticism] (MacMillan and Co., Cambridge, 1865) (subjects=Joubert Joseph; Coleridge Samuel Taylor; Religion; Fame; Philistinism; ; ; .) [Arnold,M:Joubert] (genre=m).

Arnold, Matthew, 1822 -- 1888 [1865], The Literary Influence of Academies [in, Essays in Criticism] (Macmillan and Co., Cambridge, 1865) (subjects=Genius; Intellect; Academia; Nationality; Hellenism / Hebraism; Style; ; .) [Arnold,M:LiteraryInfluenceAcademies] (genre=m).

Arnold, Matthew, 1822 -- 1888 [1865], Marcus Aurelius [in, Essays in Criticism] (Macmillan and Co., Cambridge, 1865) (subjects=Religion; Morality; Marcus Aurelius; Meditations; Translation; ; ; .) [Arnold,M:MarcusAurelius] (genre=m).

Arnold, Matthew, 1822 -- 1888 [1865], Maurice de Guérin [in, Essays in Criticism] (Macmillan and Co., Cambridge, 1865) (subjects=De Guérin Maurice; Nature of poetry; Poet; ; ; ; ; .) [Arnold,M:MauriceGu] (genre=m).

Arnold, Matthew, 1822 -- 1888 [1865], Pagan and Mediaeval Religious Sentiment [in, Essays in Criticism] (MacMillan and Co., Cambridge, 1865) (subjects=Religion; Classical religion; Theocritus; Hellenism / Hebraism; ; ; ; .) [Arnold,M:PaganMediaevalReligiousSentiment] (genre=m).

Arnold, Matthew, 1822 -- 1888 [1865], Spinoza [in, Essays in Criticism] (Macmillan and Co., Cambridge, 1865) (subjects=Exegesis; Religion; Spinoza Benedict de; Philosophy; The Bible; ; ; .) [Arnold,M:Spinoza] (genre=m).

Arnold, Matthew, 1822 -- 1888 [1869], Culture and Anarchy: An Essay in Political and Social Criticism (Smith, Elder and Co., London, 1869) (subjects=Hellenism / Hebraism; Religion; Politics; Class; Cultural theory; Philistinism; ; .) [Arnold,M:CultureAnarchy] (genre=m).

Arnold, Matthew, 1822 -- 1888 [1869], Spinoza and the Bible [in, Essays in Criticism; By Matthew Arnold] (Macmillan and Co., New York, 1889) (subjects=Religion; The Bible; Spinoza Benedict de; Philosophy; Grand style; ; ; .) [Arnold,M:SpinozaBible] (genre=m).

Arnold, Matthew, 1822 -- 1888 [1873], Literature & Dogma (Smith, Elder & Co., London, 1873) (subjects=The Bible; Exegesis; Religion; Morality; Class; Hellenism / Hebraism; ; .) [Arnold,M:Literature] (genre=m).

Arnold, Matthew, 1822 -- 1888 [1875], A Deptford Poet [in, The Pall Mall Gazette] (Chadwyck-Healey, London, 1875) (subjects=Class; Nationality; OConner Charles Patrick; ; ; ; ; .) [Arnold,M:DeptfordPoet] (genre=m).

Arnold, Matthew, 1822 -- 1888 [1875], A Persian Passion Play [in, Essays in Criticism; By Matthew Arnold] (Macmillan and Co., New York, 1889) (subjects=Religion; Dramatic performance; The Bible; Passion play; ; ; ; .) [Arnold,M:PersianPassionPlay] (genre=m).

Arnold, Matthew, 1822 -- 1888 [1879], A French Critic on Goethe [in, Mixed Essays] (Smith, Elder & Co., London, 1879) (subjects=Criticism; Goethe Johann Wolfgang von; Carlyle Thomas; ; ; ; ; .) [Arnold,M:FrenchCriticGoethe] (genre=m).

Arnold, Matthew, 1822 -- 1888 [1879], A French Critic on Milton [in, Mixed Essays] (Smith, Elder & Co., London, 1879) (subjects=Milton John; Criticism; Grand style; Paradise Lost; Macaulay Thomas Babington; ; ; .) [Arnold,M:FrenchCriticMilton] (genre=m).

Arnold, Matthew, 1822 -- 1888 [1879], George Sand [in, Mixed Essays] (Smith, Elder & Co., London, 1879) (subjects=Sand George; Emotion; Class; Nationality; Politics; ; ; .) [Arnold,M:GeorgeSand] (genre=m).

Arnold, Matthew, 1822 -- 1888 [1879], A Guide to English Literature [in, Mixed Essays] (Smith, Elder & Co., London, 1879) (subjects=Literary history; Brooke Stopford Augustus; Education; ; ; ; ; .) [Arnold,M:GuideEnglishLiterature] (genre=m).

Arnold, Matthew, 1822 -- 1888 [1883], Preface to this Edition [in, Literature & Dogma ... Popular Edition] (Smith, Elder, & Co., London, 1889) (subjects=Religion; The Bible; ; ; ; ; ; .) [Arnold,M:PrefaceEdition] (genre=m).

Arnold, Matthew, 1822 -- 1888 [1885], Emerson [in, Discourses in America] (Macmillan and Co., London, 1885) (subjects=Style; Emerson Ralph Waldo; Carlyle Thomas; ; ; ; ; .) [Arnold,M:Emerson] (genre=m).

Arnold, Matthew, 1822 -- 1888 [1885], Literature and Science [in, Discourses in America] (Macmillan and Co., London, 1885) (subjects=Science; Education; Humanism; Emotion; Hellenism / Hebraism; ; ; .) [Arnold,M:LiteratureScience] (genre=m).

Arnold, Matthew, 1822 -- 1888 [1885], Numbers [in, Discourses in America] (Macmillan and Co., London, 1885) (subjects=The Bible; Religion; Morality; Hellenism / Hebraism; Plato; French literature; ; .) [Arnold,M:Numbers] (genre=m).

Arnold, Matthew, 1822 -- 1888 [1886], Sainte-Beuve [in, The Encyclopaedia Britannica] (Adam and Charles Black, Edinburgh, 1886) (subjects=Criticism; SainteBeuve CharlesAugustin; French Revolution; French literature; ; ; ; .) [Arnold,M:SainteBeuve] (genre=m).

Arnold, Matthew, 1822 -- 1888 [1888], Amiel [in, Essays in Criticism: Second Series] (Macmillan and Co., London, 1888) (subjects=Amiel HenriFrédéric; Mysticism; Style; Criticism; Philosophy; ; ; .) [Arnold,M:Amiel] (genre=m).

Arnold, Matthew, 1822 -- 1888 [1888], Byron [in, Essays in Criticism: Second Series] (Macmillan and Co., London, 1888) (subjects=Byron George Gordon Lord; Fame; Wordsworth William; Leopardi Giacomo; Philistinism; Class; ; .) [Arnold,M:Byron] (genre=m).

Arnold, Matthew, 1822 -- 1888 [1888], Count Leo Tolstoi [in, Essays in Criticism: Second Series] (Macmillan and Co., London, 1888) (subjects=Novel; Tolstoy Leo Nikolaevich; Religion; Anna Karenina; Russian literature; French literature; ; .) [Arnold,M:CountLeoTolstoi] (genre=m).

Arnold, Matthew, 1822 -- 1888 [1888], John Keats [in, Essays in Criticism: Second Series] (Macmillan and Co., London, 1888) (subjects=Keats John; The senses; Morality; ; ; ; ; .) [Arnold,M:JohnKeats] (genre=m).

Arnold, Matthew, 1822 -- 1888 [1888], Milton [in, Essays in Criticism: Second Series] (Macmillan and Co., London, 1888) (subjects=Grand style; Milton John; Morality; Nationality; ; ; ; .) [Arnold,M:Milton] (genre=m).

Arnold, Matthew, 1822 -- 1888 [1888], Shelley [in, Essays in Criticism: Second Series] (Macmillan and Co., London, 1888) (subjects=Morality; Shelley Percy Bysshe; Dowden Edward; Life of Percy Bysshe Shelley; Shelley Mary; ; ; .) [Arnold,M:Shelley] (genre=m).

Arnold, Matthew, 1822 -- 1888 [1888], The Study of Poetry [in, Essays in Criticism: Second Series] (Macmillan and Co., London, 1888) (subjects=Criticism; Literary history; Canon; Chaucer Geoffrey; Burns Robert; Nature of poetry; ; .) [Arnold,M:StudyPoetry] (genre=m).

Arnold, Matthew, 1822 -- 1888 [1888], Thomas Gray [in, Essays in Criticism: Second Series] (Macmillan and Co., London, 1888) (subjects=Gray Thomas; Dryden John; Eighteenthcentury literature; Nature of poetry; Poetic diction; ; ; .) [Arnold,M:ThomasGray] (genre=m).

Arnold, Matthew, 1822 -- 1888 [1888], Wordsworth [in, Essays in Criticism: Second Series] (Macmillan and Co., London, 1888) (subjects=Wordsworth William; Morality; Fame; Nature; Style; Nature of poetry; ; .) [Arnold,M:Wordsworth] (genre=m).

Ascham, Roger, 1515 -- 1568. [1570], John Astely to R. Ascham [etc.] [in, A REPORT and Discourse written by Roger Ascham, of the affaires and state of Germany and the Emperour Charles his court, duryng certaine yeares while the sayd Roger was there] (Printed by Iohn Daye ..., London, 1570) (subjects=Classical literature; Veracity; History; ; ; ; ; .) [Ascham,R:JohnAstelyRAscham] (genre=m).

Ascham, Roger, 1515 -- 1568. [1570], The Scholemaster ... By Roger Ascham (Printed by Iohn Daye ..., London, 1570) (subjects=Classical literature; Education; Humanism; Mimesis; Ideology; Translation; ; .) [Ascham,R:ScholemasterByRogerAscham] (genre=m).

Austin, Alfred, 1835 -- 1913. [1870], The Poetry of the Period. By Alfred Austin ... (Richard Bentley ..., London, 1870) (subjects=Nineteenthcentury literature; Religion; Tennyson Alfred Lord; Browning Robert; Swinburne Algernon Charles; ; ; .) [Austin,A:PoetryPeriodByAlfredAustin] (genre=m).

Bacon, Francis, 1561 -- 1626 [1605], [The Parts of humane learning] and [Poesie is a part of Learning] [extracts] [in, The Tvvoo Bookes of Francis Bacon. Of the proficience and aduancement of Learning, diuine and humane ...] (Henry Tomes, London, 1605) (subjects=Education; Nature of poetry; Fable; Humanism; History; Ethics; Mimesis; .) [Bacon,F:[Partslearning] (genre=m).

Bacon, Francis, 1561 -- 1626 [1609], The Wisdome of the Ancients (Imprinted by Iohn Bill, London, 1619) (subjects=Myth; Classical literature; Allegory; Fable; Interpretation; Parable; ; .) [Bacon,F:WisdomeAncients] (genre=m).

Bacon, Francis, 1561 -- 1626 [1623], An universall Partition of Humane Learning and The Second Principall Part of Human Learning [in, Of the Advancement and Proficience of Learning or the Partitions of Sciences] (Printed by Leon Lichfield, Oxford, 1640) (subjects=Education; Rhetoric; Oratory; Originality; Memory; ; ; .) [Bacon,F:PartitionHumaneLearningSecondPrincipallPartHumanLearning] (genre=m).

Bagehot, Walter, 1826 -- 1877 [1864], Art. II -- Wordsworth, Tennyson, and Browning; or, Pure, Ornate, and Grotesque Art in English Poetry (Chapman and Hall ..., London, 1864) (subjects=Classicism; Romanticism; Grotesque; Wordsworth William; Tennyson Alfred Lord; Browning Robert; ; .) [Bagehot,W:ArtIIWordsworth] (genre=m).

Baillie, Joanna, 1762 -- 1851 [1798], Introductory Discourse [in, A Series of Plays: in which it is attempted to delineate The Stronger Passions of the Mind. Each passion being the subject of A Tragedy and A Comedy] (Printed for ... T. Cadell ... and W. Davies, London, 1798) (subjects=Tragedy; Romanticism; Emotion; Characterisation; Empathy; Mimesis; ; .) [Baillie,J:IntroductoryDiscourse] (genre=f).

Baillie, John, fl. 1796 [1747], An Essay On the Sublime. By the late Dr. Baillie (Printed to R. Dodsley, London, 1747) (subjects=Sublime; Nature; Pleasure; Aesthetics; Satire; Mimesis; ; .) [Baillie,J:EssayOnSublimeByDrBaillie] (genre=m).

Bakhtin, M. M. (Mikhail Mikhaaeilovich), 1895 -- 1975 [1941], Epic and Novel. Toward a Methodology for the Study of the Novel [in, The Dialogic Imagination; Four Essays by Mikhail Bakhtin; Edited by Michael Holquist; Translated by Caryl Emerson and Michael Holquist] (University of Texas Press, Austin, 1981) (subjects=Novel; Epic poetry; Genre; Literary history; Russian Formalism; Carnivalization; Parody; Dialogic.) [Bakhtin,M:EpicNovelTowardMethodologyStudyNovel] (genre=m).

Bakhtin, M. M. (Mikhail Mikhaaeilovich), 1895 -- 1975 [1965], [The aim of the present introduction ...] [Extract] [in, Rabelais and His World; By Mikhail Bakhtin; Translated by Helen Iswolsky] (The M. I. T. Press, London, England, 1968) (subjects=Humour; Medieval literature; Dialogic; Russian Formalism; Grotesque; Carnivalization; Parody; .) [Bakhtin,M:[present] (genre=m).

Baldwin, William, ca. 1518 -- 1563? [1559], Prefaces [in, A Myrrovre For Magistrates. Wherein may be seen by example of other, with how greuous plages vices are punished: and how frayle and unstable worldly prosperitie is found, even of those, whom fortune seemeth most highly to favour] (In aedibus Thomae Marshe, Londini, 1559) (subjects=Class; History; Ideology; Tragedy; ; ; ; .) [Baldwin,W:Prefaces] (genre=m).

Barbauld, Mrs. (Anna Letitia), 1743 -- 1825. [1810], On The Origin And Progress Of Novel-Writing [in, The British Novelists; with an Eassay, And Prefaces Biographical And Critical, By Mrs. Barbauld. A New Edition. Vol. I (Printed for F. C. and J. Rivington; W. Lowndes; Scatcherd and Letterman; J. Nunn; J. Cuthell; Jeffery and Son; Longman, Hurst, Rees, Orme and Co.; T. Wilkie; Cadell and Davies; J. and W.T. Clarke; J. Otridge; Lackington and Co.; S. Bagster; J. Murray; J. Mooker; J. Black; Black and Co.; J. Richardson; J. M. Richardson; R. Scholey; J. Mawman; R. H. Evans; A. K. Newman and Co.; J. Asperne; J. Carpenter; J. Booth; W. Ginger; Baldwin, Cradock and Joy; T. Hodgson; J. Bohn; J. Ebers; Sherwood, Neely and Jones; G. and W. B. Whitaker; Setchell and Son; Whitmore and Fenn; R. Hunter; G. Cowie and Co.; R. Saunders; T. and J. Allman; T. Boone; C. Brown; J. Brumby; Edwards and Co.; T. Hamilton; J. Lepard; G. Mackie; W. Mason; J. Miller; Ogle, Duncan and Co.; Rodwell and Martin; Hurst, Robinson and Co.; Wilson and Sons, York; Sterling and Slade; and Fairbairn and Anderson, Edinburgh., Edinburgh, 1820) (subjects=Novel; Romance; Literary history; Morality; Pleasure; ; ; .) [Barbauld,M:OnOriginAndProgressOfNovelWriting] (genre=f).

Barthes, Roland, 1915 -- 1980 [1977], The Death of the Author [in, Roland Barthes; Image Music Text; Essays Selected and translated by Stephen Heath] (Fontana Press; An Imprint of HarperCollins Publishers, London, 1977) (subjects=Poststructuralism; Author; Humanism; Indeterminacy; Criticism; Interpretation; Reading process; Nature of literature.) [Barthes,R:DeathAuthor] (genre=m).

Barthes, Roland, 1915 -- 1980 [1977], From Work to Text [in, Roland Barthes; Image Music Text; Essays selected and translated by Stephen Heath] (Fontana Press; An Imprint of HarperCollins Publishers, London, 1977) (subjects=Poststructuralism; Intertextuality; Pleasure; Author; Indeterminacy; Reading process; Text; Nature of literature.) [Barthes,R:FromWorkText] (genre=m).

Barthes, Roland, 1915 -- 1980 [1983], History or Literature? [in, On Racine] (University of California Press, Berkeley, 1992) (subjects=Structuralism; Racine Jean; Nature of literature; Signifier/Signified; Author; Historicism; ; .) [Barthes,R:HistoryLiterature] (genre=m).

Barton, John, master of the free school of Kinfare [1634], The Art of Rhetorick Concisely and Compleatly Handled ... By J. B. ... (Printed for Nicolas Alsop ..., London, 1634) (subjects=Rhetoric; Trope; Metaphor; Metonymy; Style; The Bible; Hyperbole; .) [Barton,J:ArtRhetorickConciselyCompleatlyHandledByJB] (genre=m).

Batteux, Charles, 1713 -- 1780. [1760], Principles of Translation. Written originally in French by M. Batteux (Printed by Sands, Donaldson, Murray, and Cochran, Edinburgh, 1760) (subjects=Translation; Classical literature; European languages; Syntax; French literature; Grammar; Style; .) [Batteux,C:PrinciplesTranslationWrittenFrenchMBatteux] (genre=m).

Batteux, Charles, 1713 -- 1780. [1761], A Course of the Belles Letters: or the Principles of Literature (Printed for B.Law and Co. T. Casion, J. Coote, S.Hooper. G. Kearsly, and A. Morley., London, 1761) (subjects=Imitation; Nature of poetry; Taste; Versification; Pastoral; Epic poetry; Comedy; Tragedy.) [Batteux,C:CourseBellesLetters] (genre=m).

Baudrillard, Jean [1975], I. The Concept of Labor [in, The Mirror of Production by Jean Baudrillard; Translated ... by Mark Poster] (Telos Press, St. Louis, 1975) (subjects=Postmodernism; Marxist theory; Ideology; Dialectic; Simulation; Signifier/Signified; Capitalist production; .) [Bdrllrd,J:IConceptLabor] (genre=m).

Baudrillard, Jean [1975], V. Marxism and the System of Political Economy [in, The Mirror of Production by Jean Baudrillard; Translated ... by Mark Poster] (Telos Press, St. Louis, 1975) (subjects=History; Class; Postmodernism; Marxist theory; Hyperreality; Simulation; Ideology; Capitalist production.) [Bdrllrd,J:VMarxismSystemPoliticalEconomy] (genre=m).

Baudrillard, Jean [1988], Simulacra and Simulations [in, Jean Baudrillard; Selected Writings] (Polity Press in association with Basil Blackwell, Cambridge, 1988) (subjects=Postmodernism; Hyperreality; Simulation; Marxist theory; Cultural theory; Signifier/Signified; ; .) [Bdrllrd,J:SimulacraSimulations] (genre=m).

Beard, Thomas, d. 1632. [1597], The Theatre of Gods Iudgements: Or, A Collection of Histories out of Sacred, Ecclesiasticall, and prophane Authours ... Translated ovt of French, and Avgmented by more than three hundred Examples, by Th. Beard (Printed by Adam Islip, London, 1597) (subjects=Renaissance drama; Puritanism; Morality; Religion; Censorship; Ethics; ; .) [Beard,T:TheatreGodsIudgements] (genre=m).

Beattie, James, 1735 -- 1803 [1778], A Letter To The Rev. Hugh Blair, D.D. ... On The Improvement Of Psalmody in Scotland (Sold by R. Buchanan, Edinburgh, 1829) (subjects=Translation; The Bible; Scottish literature; Metre; Music; Idiom; ; .) [Beattie,J:LetterToRevHughBlair] (genre=m).

Beattie, James, 1735 -- 1803 [1783], Illustrations on Sublimity [in, Dissertations Moral and Critical ... By James Beattie ...] (... W. Creech ..., Edinburgh, 1783) (subjects=Sublime; Aesthetics; Pleasure; Morality; Terror; Picturesque; Hyperbole; Imagery.) [Beattie,J:IllustrationsSublimity] (genre=m).

Beattie, James, 1735 -- 1803 [1783], On Fable and Romance [in, Dissertations Moral And Critical ... By James Beattie, LL. D.] (W. Creech, Edinborgh, 1783) (subjects=Romance; Novel; Allegory; Chivalry; Troubadour; Morality; ; .) [Beattie,J:OnFableRomance] (genre=m).

Beaumont, Francis, 1584 -- 1616. / Fletcher, John, 1579 -- 1625. [1647], [Preliminary Prose and Verse] [in, Comedies and Tragedies; Written by Francis Beaumont and John Fletcher ...] (Printed for Humphrey Robinson ... and for Humphrey Moseley ..., London, 1647) (subjects=Renaissance drama; Poetic drama; Textual editing; Author; Beaumont Francis; Fletcher John; ; .) [Beaumont,F:[PreliminaryProseVerse] (genre=m).

Beaumont, John, Sir, 1583 -- 1627 [1629], To his late Maiesty, concerning the true forme of English Poetry [in, Bosworth-field: With a Taste of the Variety of Other Poems, Left by Sir John Beaumont ... Set Forth by his Sonne, Sir Iohn Beaumont ... ] (Printed by Felix Kyngston for Henry Scale ..., London, 1629) (subjects=Vernacular literature; Renaissance Poetry; Poet; Rhyme; Prosody; Versification; ; .) [Beaumont,J:ToMaiesty] (genre=m).

Behn, Aphra, 1640 -- 1689 [1688], The Translator's Preface [in, A Discovery of New Worlds. From the French. Made English etc.] (Printed for William Canning, London, 1688) (subjects=Translation; Copernicus; Science; Astronomy; Religion; ; ; .) [Behn,A:Translator] (genre=f).

Benson, William, 1682 -- 1754. [1739], Letters Concerning Poetical Translations, And Virgil's and Milton's Arts of Verse, &c (J. Roberts, London, 1739) (subjects=Neoclassicism; Milton John; Virgil; Versification; Metre; Translation; ; .) [Benson,W:LettersConcerningPoeticalTranslations] (genre=m).

Besant, Walter, 1836 -- 1901 [1884], The Art of Fiction (Chatto and Windus, London, 1884) (subjects=Novel; Composition; Realism; Plot; Style; Characterisation; ; .) [Besant,W:ArtFiction] (genre=m).

Blackmore, Richard, Sir, d. 1729. [1706], Advice to the Poets. A Poem (Occasion'd by the Wonderful Success of Her Majesty's Arms, under the Conduct of the Duke of Marlborough, in Flanders.) The Second Edition Corrected (Printed for A. and J. Churchill, London, 1706) (subjects=Satire; Poetic diction; Imagery; Trope; ; ; ; .) [Blckmr,R:AdvicePoetsPoem] (genre=m).

Blackmore, Richard, Sir, d. 1729. [1716], An Essay on the Nature and Constitution of Epick Poetry [in, Essays upon Several Subjects. By Sir Richard Blackmore ...] (Printed for E. Curll ..., London, 1716) (subjects=Epic poetry; Rules of composition; Dramatic unities; Classical literature; Mimesis; Morality; ; .) [Blckmr,R:EssayNatureConstitutionEpickPoetry] (genre=m).

Blackmore, Richard, Sir, d. 1729. [1717], An Essay upon Writing [in, Essays upon Several Subjects. By Sir Richard Blackmore ...] (Printed by W. Wilkins, for A. Bettesworth ... and J. Pemberton ..., London, 1717) (subjects=Taste; Wit; Ambiguity; Morality; Literary history; Morality; Author; .) [Blckmr,R:EssayWriting] (genre=m).

Blair, Hugh, 1718 -- 1800 [1783], Lectures on Rhetoric and Belles Lettres (Printed for W. Strahan, T. Cadell ... and W. Creech, London and Edinburgh, 1783) (subjects=Rhetoric; Oratory; Taste; Syntax; Trope; Style; ; .) [Blair,H:LecturesRhetoricBellesLettres] (genre=m).

Blake, William, 1757 -- 1827 [1800], Annotations to Boyd's Historical Notes on Dante [in, The Poetry and Prose of William Blake] (Doubleday & Company, Inc., New York, 1965) (subjects=Romanticism; Homer; Dante Alighieri; Sympathy; Morality; Poetic justice; ; .) [Blake,W:AnnotationsBoyd] (genre=m).

Blake, William, 1757 -- 1827 [1801], Annotations to The Works of Sir Joshua Reynolds [in, The Poetry and Prose of William Blake] (Doubleday, New York, 1965) (subjects=Reynolds Sir Joshua; Renaissance art; Romanticism; Baroque art; Mimesis; Genius; ; .) [Blake,W:AnnotationsWorksSirJoshuaReynolds] (genre=m).

Blake, William, 1757 -- 1827 [1804], "To the Public", from Jerusalem [in, The Poetry and Prose of William Blake] (Doubleday, New York, 1965) (subjects=Blake William; Jerusalem; Romanticism; Religion; Versification; ; ; .) [Blake,W:"ToPublic] (genre=m).

Blake, William, 1757 -- 1827 [1804], Preface to Milton; a Poem in 2 Books [in, The Poetry and Prose of William Blake] (Doubleday & Company, Inc., New York, 1965) (subjects=Romanticism; Milton John; The Bible; Classical literature; Religion; ; ; .) [Blake,W:PrefaceMilton] (genre=m).

Blake, William, 1757 -- 1827 [1809], "First Prospectus", from Blake's Chaucer: Prospectuses [in, The Poetry and Prose of William Blake] (Doubleday, New York, 1965) (subjects=Blake William; Painting; Romanticism; Chaucer Geoffrey; Canterbury Tales; Characterisation; ; .) [Blake,W:"FirstProspectus] (genre=m).

Blake, William, 1757 -- 1827 [1809], A Descriptive Catalogue [in, The Poetry and Prose of William Blake] (Doubleday & Company, New York, 1965) (subjects=Blake William; Painting; Romanticism; Aesthetics; Chaucer Geoffrey; Renaissance art; ; .) [Blake,W:DescriptiveCatalogue] (genre=m).

Blake, William, 1757 -- 1827 [1809], Public Address [in, The Poetry and Prose of William Blake] (Doubleday, New York, 1965) (subjects=Blake William; Painting; Romanticism; Renaissance art; Mimesis; Creativity; ; .) [Blake,W:PublicAddress] (genre=m).

Blake, William, 1757 -- 1827 [1810], Descriptions of the Last Judgment [in, The Poetry and Prose of William Blake] (Doubleday, New York, 1965) (subjects=Blake William; Imagination and fancy; Romanticism; Mysticism; ; ; ; .) [Blake,W:DescriptionsLastJudgment] (genre=m).

Blake, William, 1757 -- 1827 [1818], The Laocoön [in, The Poetry and Prose of William Blake] (Doubleday, New York, 1965) (subjects=Romanticism; Mysticism; Religion; Imagination and fancy; Commerce; ; ; .) [Blake,W:Laoco] (genre=m).

Blake, William, 1757 -- 1827 [1826], Annotations to Poems by Wordsworth [in, The Poetry and Prose of William Blake] (Doubleday & Company, Inc., New York, 1965) (subjects=Wordsworth William; Romanticism; Religion; Nature; Imagination and fancy; Ossianism; ; .) [Blake,W:AnnotationsPoemsWordsworth] (genre=m).

Blake, William, 1757 -- 1827 [1826], Annotations to Wordsworth's Preface to The Excursion [in, The Poetry and Prose of William Blake] (Doubleday & Company, Inc., New York, 1965) (subjects=Wordsworth William; Romanticism; Religion; Nature; Mysticism; The Excursion; ; .) [Blake,W:AnnotationsWordsworth] (genre=m).

Blake, William, 1757 -- 1827 [1965], On Homer's Poetry and On Virgil [in, The Poetry and Prose of William Blake] (Doubleday, New York, 1965) (subjects=Homer; Virgil; Classical literature; Romanticism; Morality; Dramatic unities; ; .) [Blake,W:OnHomer] (genre=m).

Bloch, Ernst, 1885 -- 1977 [1938], Discussing Expressionism [in, Aesthetics and Politics] (Verso, London, 1980) (subjects=Expressionism; Marxist theory; Modernism; Classicism; Politics; Popular culture; ; .) [Bloch,E:DiscussingExpressionism] (genre=m).

Bloom, Harold, 1930 -- [1973], Interchapter: A Manifesto for Antithetical Criticism [in, The Anxiety of Influence; A Theory of Poetry] (Oxford University Press, New York, 1973) (subjects=Influence; Intertextuality; Criticism; Nature of poetry; ; ; ; .) [Bloom,H:Interchapter] (genre=m).

Bloom, Harold, 1930 -- [1975], In the Shadow of Milton [in, A Map of Misreading] (Oxford University Press, New York, 1975) (subjects=Influence; Wordsworth William; Shelley Percy Bysshe; Keats John; Tennyson Alfred Lord; Milton John; ; .) [Bloom,H:InShadowMilton] (genre=m).

Blount, Thomas, 1618 -- 1679. [1656], The Academy of Eloquence (Humphrey Moseley, London, 1656) (subjects=Ciceronianism; Style; Commonplace book; Epistle; Rhetoric; Oratory; ; .) [Blount,T:AcademyEloquence] (genre=m).

Boileau-Despréaux, 1636 -- 1711, Nicholas [1674], The Art of Poetry (Printed for R. Bentley, and S. Magnes, London, 1683) (subjects=Neoclassicism; Poetic language; Genre; Criticism; Composition; Taste; ; .) [Bl-Dspr&ct;x,1:ArtPoetry] (genre=m).

Bolton, Edmund, 1575? -- 1633? [1618], Hypercritica: or A Rule of Judgement, for writing or reading our History's ... By Edmund Bolton ... [in, Ancient Critical Essays upon English Poets and Poesy. Edited by Joseph Haslewood ...] (Robert Triphook, London, 1815) (subjects=Classical literature; Vernacular literature; Renaissance literature; Veracity; History; Prejudice; ; .) [Bolton,E:Hypercritica] (genre=m).

Bosworth, William, 1607 -- 1650? [1651], To the Reader [in, The Chast and Lost Lovers ... by Will. Bosworth, Gent.] (Printed by F. L. for Laurence Blaiklock ..., London, 1651) (subjects=Renaissance Poetry; Classical literature; Bosworth William; Practical criticism; Influence; Mimesis; ; .) [Bosworth,W:ToReader] (genre=m).

Bowers, Fredson [1972], Multiple Authority: New Problems and Concepts of Copy-Text; By Fredson Bowers [in, Transactions of the Bibliographic Society; The Library ...] (Oxford University Press, Oxford, 1972) (subjects=Bibliography; Textual editing; Substantives/accidentals; Crane Stephen; Copytext; Textual criticism; ; .) [Bowers,F:MultipleAuthority] (genre=m).

Bradley, A. C. (Andrew Cecil), 1851 -- 1935. [1904], Lecture I; The Substance of Shakespearean Tragedy [in, Shakespearean Tragedy; Lectures on Hamlet, Othello, King Lear, Macbeth; By A. C. Bradley ...] (The Macmillan Company, New York, 1904) (subjects=Shakespeare William; Tragedy; Characterisation; Hero/villain; Interpretation; Renaissance drama; Peripeteia; Hamartia.) [Bradley,A:LectureI] (genre=m).

Bradley, A. C. (Andrew Cecil), 1851 -- 1935. [1904], Lecture II; Construction in Shakespeare's Tragedies [in, Shakespearean Tragedy; Lectures on Hamlet, Othello, King Lear, Macbeth, By A. C. Bradley ...] (The Macmillan Company, New York, 1904) (subjects=Shakespeare William; Tragedy; Plot; Artifice; Renaissance drama; Dramatic language; ; .) [Bradley,A:LectureII] (genre=m).

Brathwait, Richard, 1588? -- 1673 [1615], A Comment upon the Two Tales of our Ancient, Renovvned, and Ever-Living Poet Sir Jeffray Chaucer, Knight ... The Miller's Tale and the Wife of Bath. Addressed and Published by Special Authority (Printed by W. Godbid, and are to be Sold by Peter Dring ..., London, 1665) (subjects=Chaucer Geoffrey; Canterbury Tales; Interpretation; Characterisation; Practical criticism; Canon; ; .) [Brthwt,R:CommentTwoTalesAncient] (genre=m).

Brathwait, Richard, 1588? -- 1673 [1638], A Survey of History: Or, A Nursery for Gentry. Contrived and Comprized in an Intermixt Discourse upon Historicall and Poeticall Relations ... By Richard Braithwait ... (Printed by N. and Iohn Okes, London, 1638) (subjects=Classical literature; Renaissance literature; Morality; History; Religion; ; ; .) [Brthwt,R:SurveyHistory] (genre=m).

Brooks, Peter, 1938 -- [1984], Fictions of the Wolf Man: Freud and Narrative Understanding [in, Reading for the Plot; Design and Intention in Narrative; Peter Brooks] (Harvard University Press, London, England, 1992) (subjects=Psychoanalytic theory; Narratology; Plot; Biography; Freud Sigmund; Fiction; ; .) [Brooks,P:FictionsWolfMan] (genre=m).

Browning, Robert, 1812 -- 1889 [1852], Introductory Essay [in, Letters of Percy Bysshe Shelley. With an Introductory Essay, by Robert Browning] (Edward Moxon, London, 1852) (subjects=Shelley Percy Bysshe; Objectivity; Poet; Subjectivity; Biography; Morality; Religion; .) [Browning,R:IntroductoryEssay] (genre=m).

Buchanan, Robert Williams, 1841 -- 1901. [1900], The Ethics of Criticism [in, The Contemporary Review. Volume LXXVII. January -- June 1900] (The Columbus Company Limited, London, 1900) (subjects=Criticism; Ethics; Author; Kipling Rudyard; Besant Sir Walter; Morality; ; .) [Buchanan,R:EthicsCriticism] (genre=m).

Burke, Edmund, 1729 -- 1797 [1757], A Philosophical Enquiry into the Origin of Our Ideas of the Sublime and Beautiful (Printed for R. and J. Dodsley, London, 1757) (subjects=Sublime; Aesthetics; Pleasure; Imagination and fancy; ; ; ; .) [Burke,E:PhilosophicalEnquiryOriginOurIdeasSublimeBeautiful] (genre=m).

Burke, Kenneth, 1897 -- [1973], Semantic and Poetic Meaning [in, Kenneth Burke; The Philosophy of Literary Form] (University of California Press, Berkeley, 1973) (subjects=New criticism; Semantics; Rhetoric; Nature of poetry; Style; Morality; ; .) [Burke,K:SemanticPoeticMeaning] (genre=m).

Butler, Judith P. [1990], Bodily Inscriptions, Performative Subversions [in, Gender Trouble; Judith Butler; Feminism and the Subversion of Identity] (Routledge, London, 1990) (subjects=Feminist theory; Gender; Sexuality; Identity; Lesbian and gay theory; Performative; Gender theory; .) [Butler,J:BodilyInscriptions] (genre=f).

Butler, Judith P. [1990], Conclusion: From Parody to Politics [in, Gender Trouble; Judith Butler; Feminism and the Subversion of Identity] (Routledge, London, 1990) (subjects=Feminist theory; Gender; Sexuality; Lesbian and gay theory; Identity; Gender theory; Performative; .) [Butler,J:Conclusion] (genre=f).

Butler, Judith P. [1993], Introduction [in, Bodies That Matter] (Routledge, London, 1993) (subjects=Gender; Feminist theory; Sexuality; Subjectivity; Gender theory; Performative; Lesbian and gay theory; .) [Butler,J:Introduction] (genre=f).

Byron, George Gordon Byron, Baron, 1788 -- 1824 [1807], Review of Wordsworth's Poems [in, The Works of Lord Byron ... by Thomas Moore, Esq.] (John Murray, London, 1832) (subjects=Wordsworth William; Romanticism; Poetic diction; Emotion; Versification; ; ; .) [Byron,G:ReviewWordsworth] (genre=m).

Byron, George Gordon Byron, Baron, 1788 -- 1824 [1812], Poems by William Robert Spencer [in, The Monthly Review ...] (Sold by Becket and Porter, London, 1812) (subjects=Poetic diction; Terror; Vers de Société; ; ; ; ; .) [Byron,G:PoemsWilliamRobertSpencer] (genre=m).

Byron, George Gordon Byron, Baron, 1788 -- 1824 [1813], Neglected Genius [in, The Monthly Review ...] (Sold by Becket and Porter, Booksellers, London, 1813) (subjects=Rhyme; Monody; ; ; ; ; ; .) [Byron,G:NeglectedGenius] (genre=m).

Byron, George Gordon Byron, Baron, 1788 -- 1824 [1821], Letter to **** ******, on the Rev. W. L. Bowles' Strictures on the Life and writings of Pope. By the Right Hon. Lord Byron ... Third Edition (John Murray ..., London, 1821) (subjects=Bowles William Lisle; Pope Alexander; Romanticism; Nature; Artifice; ; ; .) [Byron,G:Letter] (genre=m).

Byron, George Gordon Byron, Baron, 1788 -- 1824 [1832], Observations upon "Observations" [in, The Works of Lord Byron ... by Thomas Moore, Esq.] (John Murray, London, 1832) (subjects=Bowles William Lisle; Pope Alexander; Romanticism; Morality; ; ; ; .) [Byron,G:Observations] (genre=m).

Byron, George Gordon Byron, Baron, 1788 -- 1824 [1832], Some Observations upon an Article in Blackwood's Magazine [in, The Works of Lord Byron ... by Thomas Moore, Esq.] (John Murray, London, 1833) (subjects=Byron George Gordon Lord; Don Juan; Romanticism; Southey Robert; Wordsworth William; Keats John; ; .) [Byron,G:SomeObservationsArticleBlackwood] (genre=m).

Campbell, George, 1719 -- 1796 [1776], The Philosophy of Rhetoric (Printed for W. Strahan; and T. Cadell, London, 1776) (subjects=Rhetoric; Oratory; Pathos; Trope; Syntax; ; ; .) [Campbell,G:PhilosophyRhetoric] (genre=m).

Campbell, George, 1719 -- 1796 [1789], Dissertation The Tenth [in, The Four Gospels, Translated From The Greek, With Preliminary Dissertations, And Notes Critical and Explanatory. By George Campbell ... In Two Volumes. Vol. I] (Printed for A. Strahan; and T. Cadell, London, 1789) (subjects=The Bible; Translation; The Vulgate; ; ; ; ; .) [Campbell,G:DissertationTenth] (genre=m).

Campion, Thomas, 1567 -- 1620. [1602], Observations in the Art of English Poesie. By Thomas Campion ... (Printed ... by Richard Field for Andrew Wise, London, 1602) (subjects=Versification; Rhyme; Classical literature; Metre; Vernacular literature; Prosody; ; .) [Campion,T:ObservationsArtEnglishPoesieByThomasCampion] (genre=m).

Carew, Richard, 1555 -- 1620 [1595], The Excellencie of the English tongue by R. C. of Anthony Esquire to VV. C [in, Remaines concerning Britaine: But especially England, and the Inhabitants thereof ... Reviewed, corrected, and encreased] (Printed ... by Iohn Leggatt for Simon Waterson, London, 1614) (subjects=Vernacular literature; History of English Language; Linguistics; Vocabulary; ; ; ; .) [Carew,R:ExcellencieEnglishRCAnthonyEsquireVVC] (genre=m).

Carew, Thomas, 1595? -- 1639? [1631], To Ben. Iohnson. Vpon occasion of his Ode of defiance annext to his Play of the new Inne [in, Poems, With a Maske, by Thomas Carew ... The third Edition revised and enlarged] (Printed for H. M. and are to be sold by J. Mantin ..., London, 1651) (subjects=Jonson Ben; Satire; Comedy; Canon; Fame; ; ; .) [Carew,T:ToBenIohnsonVponOdetoPlayInne] (genre=m).

Carew, Thomas, 1595? -- 1639? [1633], An Elegie upon the death of Doctor Donne, Deane of Pauls [in, Poems, With a Maske, by Thomas Carew ... The third Edition revised and enlarged] (Printed for H. M. and are to be sold by J. Mantin ..., London, 1651) (subjects=Donne John; Renaissance Poetry; Classical literature; Vernacular literature; Author; Elegy; Sermon; .) [Carew,T:ElegieofDoctorDonne] (genre=m).

Carlyle, Thomas, 1795 -- 1881 [1827], Art. II. -- 1. Die Poesie und Beredsamkeit der Deutschen, von Luthers Zeit bis zur Gegenwart. Dargestellt von Franz Horn. (The Poetry and Oratory of the Germans, from Luther's Time to the Present. Exhibited by FRANZ HORN). Berlin, 1822 -- 23 -- 24. 3 vols. 8vo [in, The Edinburgh Review, or Critical Journal for June ... October 1827. To Be Continued Quarterly (Longman, Rees, Orme Brown, and Green, London, London, 1827) (subjects=German literature; German philosophy; Taste; Criticism; Mysticism; Transcendentalism; ; .) [Carlyle,T:ArtII] (genre=m).

Carlyle, Thomas, 1795 -- 1881 [1831], Art. II. -- 1. Corn-Law Rhymes. Third Edition. Svo. London: 1831 [in, The Edinburgh Review, or Critical Journal: For January ... July, 1832. To Be Continued Quarterly. Vol. LV] (Adam Black, Edinburgh, 1832) (subjects=Elliott Ebenezer; Transcendentalism; Class; Education; Radicalism; Politics; ; .) [Carlyle,T:ArtII] (genre=m).

Carlyle, Thomas, 1795 -- 1881 [1831], Chapter III. Symbols [in, Sartor Resartus ... by Thomas Carlyle] (Chapman & Hall, London, 1841) (subjects=Imagination and fancy; Religion; Symbolism; Transcendentalism; ; ; ; .) [Carlyle,T:ChapterIIISymbols] (genre=m).

Carlyle, Thomas, 1795 -- 1881 [1832], Biography [Boswell's Life of Johnson] [in, Fraser's Magazine for Town and Country ...] (Grant & Co., Dublin, 1832) (subjects=Boswell James; Life of Samuel Johnson; Author; Biography; Transcendentalism; History; ; .) [Carlyle,T:Biography] (genre=m).

Carlyle, Thomas, 1795 -- 1881 [1840], The Hero As Poet. Dante; Shakespeare [in, On Heroes, Hero-Worship, & The Heroic in History. Six Lectures ... By Thomas Carlyle] (James Fraser, London, 1841) (subjects=Dante Alighieri; Shakespeare William; Poet; Nature of poetry; Transcendentalism; Mysticism; ; .) [Carlyle,T:HeroAsPoetDante] (genre=m).

Castelvetro, Lodovico, 1505 -- 1571. / Aristotle, 384 -- 322 BC [1570], Aristotle's Art of Poetry. Translated from the Original Greek, according to Mr. Theodore Goulston's Edition. Together, with Mr. D'Acier's Notes Translated from the French (Printed for Dan. Browne ... and Will. Turner ..., London, 1705) (subjects=Poet; Tragedy; Nature of poetry; Epic poetry; Composition; Mimesis; ; .) [Cstlvtr,L:Aristotle] (genre=m).

Chapman, George, 1559? -- 1634. [1595], To the Trvlie Learned, and my Worthy Friende, Ma. Matthew Royden [in, Ovid's Banquet of Sence. A Coronet for his Mistresse Philosophie, and his amorous Zodiacke ...] (Richard Smith, London, 1595) (subjects=Style; Poetic language; Conceit; Interpretation; ; ; ; .) [Chapman,G:ToTrvlieLearned] (genre=m).

Chapman, George, 1559? -- 1634. [1598], To the most honored Earle, Earle Marshall. To the vnderstander. To my admired and soule-loued friend ... M. Harriots [in, Achilles Shield. Translated ... out of his eighteenth booke of Iliades. By George Chapman Gent.] (Imprinted by Iohn Windet ..., London, 1598) (subjects=Virgil; Homer; Vernacular literature; Translation; Iliad; Linguistic change; ; .) [Chapman,G:ToEarle] (genre=m).

Chapman, George, 1559? -- 1634. [1598], To the most honored now liuing Instance of the Achilleian Vertues, ... To the Reader [in, Seaven Bookes of the Iliades of Homere] (Printed by Iohn Windet, London, 1598) (subjects=Homer; Epic poetry; Vernacular literature; Iliad; Patronage; Translation; ; .) [Chapman,G:TonowInstanceAchilleianVertues] (genre=m).

Chapman, George, 1559? -- 1634. [1609], To the High Borne Prince of Men, Henrie ... [in, Homer Prince of Poets: Translated according to the Greeke, in twelve Bookes of his Iliads. By Geo. Chapman] (Printed for Samuel Macham ..., London, 1610) (subjects=Homer; Iliad; Morality; Nature of poetry; Patronage; Translation; ; .) [Chapman,G:ToHighBornePrinceMen] (genre=m).

Chapman, George, 1559? -- 1634. [1611], The Preface To The Reader [in, The Iliads of Homers Prince of Poets ... Donne according to the greeke; By Geo: Chapman (Nathaniel Butter, London, 1969) (subjects=Vernacular literature; Homer; Iliad; Prosody; Translation; Nature of poetry; ; .) [Chapman,G:PrefaceToReader] (genre=m).

Chapman, George, 1559? -- 1634. [1611], To the Right Vertvovs, And truely Noble Knight, Sr. Thomas Howard &c [in, The Revenge of Bussy D'Ambois. A Tragedie ... Written by George Chapman, Gentleman] (T. S, London, 1613) (subjects=Renaissance drama; Patronage; Morality; Tragedy; ; ; ; .) [Chapman,G:ToRightVertvovs] (genre=m).

Chapman, George, 1559? -- 1634. [1614], A Free And Offenceles Iustification of A Lately Pvblisht and Most Maliciously Misinterpreted Poeme: Entitvled Andromeda liberata (Lavrence L'isle, London, 1614) (subjects=Slander; Allegory; Allusion; Chapman George; Ethics; Interpretation; ; .) [Chapman,G:FreeAndOffencelesIustificationLatelyPvblishtMostMaliciouslyMisinterpretedPoeme] (genre=m).

Chapman, George, 1559? -- 1634. [1614], To the Most Worthily Honored, my singvlar good Lord, Robert, Earle of Somerset, Lord Chamberlaine, &c [in, Homers Odysses. Translated according to þe; Greeke By. Geo Chapman] (Nathaniel Butter, London, 1614) (subjects=Homer; Odyssey; Nature of poetry; Iliad; Patronage; Translation; ; .) [Chapman,G:ToMostWorthilyHonored] (genre=m).

Chapman, George, 1559? -- 1634. [1614], To the Right Worthily Honored, Robert Earle of Sommerset, &c and his Most Noble Lady the Ladie Frances [in, Andromeda Liberata ... By George Chapman ...] (Printed for Lavrence L'Isle ..., London, 1614) (subjects=Nature of poetry; Panegyric; Morality; Patronage; ; ; ; .) [Chapman,G:ToRightWorthilyHonored] (genre=m).

Chapman, George, 1559? -- 1634. [1624], To my Ever Most VVorthie-To-Be-Most Honord Lord, the Earle of Somerset; and [The Epilogue] [in, the Crowne of all Homers workes Batrachomyomachia ... Translated ... By George Chapman] (, London, 1624) (subjects=Homer; Homeric Hymns; Criticism; Patronage; Satire; Interpretation; Academia; .) [Chapman,G:ToEverMostVVorthieToBeMostHonordLord] (genre=m).

Chrysostom, Dio, 40 -- 111 [Antiquity], Philoctetes in the Tragedians [in, Ancient Literary Criticism ... edited by D. A. Russell ... and M. Winterbottom] (Clarendon Press, Oxford, 1972) (subjects=Greek tragedy; Aeschylus; Sophocles; Euripides; Philoctetes; ; ; .) [Chrysstm,D:PhiloctetesTragedians] (genre=m).

Cicero, 106 -- 43 BC [Antiquity], "The Use of Words", from De Oratore 3. 149 -- 81 [in, Ancient Literary Criticism ... edited by D. A. Russell ... and M. Winterbottom] (The Clarendon Press, Oxford, 1972) (subjects=Oratory; Metaphor; Trope; Metonymy; Rhetoric; Rhythm; ; .) [Cicero,1:"UseWords] (genre=m).

Cicero, 106 -- 43 BC [Antiquity], The Three Styles and The Perfect Orator (Orator 75 -- 121) [in, Ancient Literary Criticism ... edited by D. A. Russell ... and M. Winterbottom] (Clarendon Press, Oxford, 1972) (subjects=Oratory; Metaphor; Style; The ideal; Demosthenes; Rhetoric; ; .) [Cicero,1:ThreeStylesPerfectOrator] (genre=m).

Cixous, Hélène, 1937 -- [1986], Writing and the Law [in, Readings] (Harvester Wheatsheaf, Hemel Hempstead, 1992) (subjects=Feminist theory; Psychoanalytic criticism; Lispector Clarice; Joyce James; Kafka; Blanchot Maurice; ; .) [Cixous,H:WritingLaw] (genre=f).

Clare, John, 1793 -- 1864. [1825], Popularity In Authorship [in, The European Magazine, And London Review-New series. Volume I. From August 1825, to January 1826 (John Miller, London, 1829) (subjects=Popularity; Romanticism; Byron George Gordon Lord; Traditional ballad; Wordsworth William; ; ; .) [Clare,J:PopularityInAuthorship] (genre=m).

Clough, Arthur Hugh, 1819 -- 1861 [1869], Lecture on the Development of English Literature From Chaucer to Wordsworth [in, The Poems And Prose Remains of Arthur Hugh Clough; with A Selection From His Letter And A Memoir; Edited By His Wife; In Two Volumes, VOL. I Life: Letters: Prose Remains] (Macmillan and Co., London, 1869) (subjects=Literary history; Eighteenthcentury literature; Canon; National character; Chaucer Geoffrey; Shakespeare William; ; .) [Clough,A:LectureDevelopmentEnglishLiteratureFromChaucerWordsworth] (genre=m).

Clough, Arthur Hugh, 1819 -- 1861 [1869], Lecture on the Poetry of Wordsworth [in, The Poems and Prose Remains of Arthur Hugh Clough ... Edited by his Wife; in Two Volumes ...] (Macmillan and Co., London, 1869) (subjects=Wordsworth William; Biography; Style; Poetic diction; Morality; ; ; .) [Clough,A:LecturePoetryWordsworth] (genre=m).

Clough, Arthur Hugh, 1819 -- 1861 [1869], On the Formation of Classical English ... [in, The Poems and Prose Remains of Arthur Hugh Clough ... Edited by his wife; in two volumes ...] (Macmillan and Co., London, 1869) (subjects=Dryden John; History of English Language; Style; Vernacular literature; Restoration literature; Nineteenthcentury literature; ; .) [Clough,A:OnFormationClassicalEnglish] (genre=m).

Clough, Arthur Hugh, 1819 -- 1861 [1869], Review of Some Poems by Alexander Smith and Matthew Arnold [in, The Poems and Prose Remains of Arthur Hugh Clough ... Edited by his Wife; In Two Volumes ...] (Macmillan and Co., London, 1869) (subjects=Smith Alexander; A LifeDrama; Simile; Arnold Matthew; Poetic theme; ; ; .) [Clough,A:ReviewSomePoemsAlexanderSmithMatthewArnold] (genre=m).

Coleridge, Samuel Taylor, 1772 -- 1834 [1794], Section III; Early Reviews [in, Coleridge's Miscellaneous Criticism; Edited by Thomas Middleton Raysor ...] (Constable & Co Ltd, London, 1936) (subjects=Gothic novel; Romanticism; Terror; Taste; Radcliffe Ann; Lewis Matthew Gregory; ; .) [Clrdg,S:SectionIII] (genre=m).

Coleridge, Samuel Taylor, 1772 -- 1834 [1805], Appendix [in, Coleridge's Miscellaneous Criticism; Edited by Thomas Middleton Raysor ...] (Constable & Co Ltd, London, 1936) (subjects=Wit; Humour; Shakespeare William; Romanticism; Wordsworth William; ; ; .) [Clrdg,S:Appendix] (genre=m).

Coleridge, Samuel Taylor, 1772 -- 1834 [1807], Section II; Miscellaneous Marginalia [in, Coleridge's Miscellaneous Criticism; Edited by Thomas Middleton Raysor ...] (Constable & Co Ltd, London, 1936) (subjects=Romanticism; Renaissance literature; Restoration literature; Eighteenthcentury literature; Nineteenthcentury literature; Scott Sir Walter; ; .) [Clrdg,S:SectionII] (genre=m).

Coleridge, Samuel Taylor, 1772 -- 1834 [1808], Shakespearean Criticism; In Two Volumes ... edited by Thomas Middleton Raysor ... (E. P. Dutton & Co Inc, New York, 1960) (subjects=Shakespeare William; Romanticism; Dramatic unities; Characterisation; Tragedy; Nature of poetry; ; .) [Clrdg,S:ShakespeareanCriticism] (genre=m).

Coleridge, Samuel Taylor, 1772 -- 1834 [1810], Section IV; Conversations with Henry Crabb Robinson [in, Coleridge's Miscellaneous Criticism; Edited by Thomas Middleton Raysor ...] (Constable & Co Ltd, London, 1936) (subjects=Coleridge Samuel Taylor; Romanticism; Philosophy; Imagination and fancy; Wordsworth William; Goethe Johann Wolfgang von; ; .) [Clrdg,S:SectionIV] (genre=m).

Coleridge, Samuel Taylor, 1772 -- 1834 [1816], The Statesman's Manual; or The Bible the Best Guide to Political Skill and Foresight: A Lay Sermon, addressed to the Higher Classes of Society ... By S. T. Coleridge, Esq (Printed for Gale and Fenner ... J. M. Richardson ... and Hatchard ..., London, 1816) (subjects=Romanticism; Religion; The Bible; Politics; Education; Class; ; .) [Clrdg,S:Statesman] (genre=m).

Coleridge, Samuel Taylor, 1772 -- 1834 [1817], Chapter III [in, Biographia Literaria; or Biographical Sketches of my Literary Life and Opinions. By S. T. Coleridge, Esq ...] (Rest Fenner, London, 1817) (subjects=Criticism; Southey Robert; Romanticism; ; ; ; ; .) [Clrdg,S:ChapterIII] (genre=m).

Coleridge, Samuel Taylor, 1772 -- 1834 [1817], Chapter II [in, Biographia Literaria; or Biographical Sketches of my Literary Life and Opinions. By S. T. Coleridge, Esq ...] (Rest Fenner, London, 1817) (subjects=Genius; Poet; Criticism; Romanticism; Temperament; ; ; .) [Clrdg,S:ChapterII] (genre=m).

Coleridge, Samuel Taylor, 1772 -- 1834 [1817], Chapter IV [in, Biographia Literaria; or Biographical Sketches of my Literary Life and Opinions. By S. T. Coleridge, Esq ...] (Rest Fenner, London, 1817) (subjects=Romanticism; Wordsworth William; Lyrical Ballads; Imagination and fancy; Criticism; Genius; ; .) [Clrdg,S:ChapterIV] (genre=m).

Coleridge, Samuel Taylor, 1772 -- 1834 [1817], Chapter IX [in, Biographia Literaria; or Biographical Sketches of my Literary Life and Opinions. By S. T. Coleridge, Esq ...] (Rest Fenner, London, 1817) (subjects=Romanticism; Philosophy; Kant Immanuel; Mysticism; Schelling Friedrich Wilhelm Joseph von; ; ; .) [Clrdg,S:ChapterIX] (genre=m).

Coleridge, Samuel Taylor, 1772 -- 1834 [1817], Chapter I [in, Biographia Literaria; or Biographical Sketches of my Literary Life and Opinions. By S. T. Coleridge, Esq ...] (Rest Fenner, London, 1817) (subjects=Romanticism; Coleridge Samuel Taylor; Bowles William Lisle; Poetic diction; Juvenilia; ; ; .) [Clrdg,S:ChapterI] (genre=m).

Coleridge, Samuel Taylor, 1772 -- 1834 [1817], Chapter VIII [in, Biographia Literaria; or Biographical Sketches of my Literary Life and Opinions. By S. T. Coleridge, Esq ...] (Rest Fenner, London, 1817) (subjects=Romanticism; Philosophy; Association of ideas; Materialism; Cartesian dualism; ; ; .) [Clrdg,S:ChapterVIII] (genre=m).

Coleridge, Samuel Taylor, 1772 -- 1834 [1817], Chapter VII [in, Biographia Literaria; or Biographical Sketches of my Literary Life and Opinions. By S. T. Coleridge, Esq ...] (Rest Fenner, London, 1817) (subjects=Romanticism; Philosophy; Association of ideas; Hartley David; ; ; ; .) [Clrdg,S:ChapterVII] (genre=m).

Coleridge, Samuel Taylor, 1772 -- 1834 [1817], Chapter VI [in, Biographia Literaria; or Biographical Sketches of my Literary Life and Opinions. By S. T. Coleridge, Esq ...] (Rest Fenner, London, 1817) (subjects=Romanticism; Aristotle; Philosophy; Association of ideas; Hartley David; ; ; .) [Clrdg,S:ChapterVI] (genre=m).

Coleridge, Samuel Taylor, 1772 -- 1834 [1817], Chapter V [in, Biographia Literaira; or Biographical Sketches of my Literary Life and Opinions. By S. T. Coleridge, Esq ...] (Rest Fenner, London, 1817) (subjects=Association of ideas; Romanticism; Imagination and fancy; Philosophy; ; ; ; .) [Clrdg,S:ChapterV] (genre=m).

Coleridge, Samuel Taylor, 1772 -- 1834 [1817], Chapter XIII [in, Biographia Literaria; or Biographical Sketches of my Literary Life and Opinions. By S. T. Coleridge, Esq ...] (Rest Fenner, London, 1817) (subjects=Romanticism; Kant Immanuel; Philosophy; Imagination and fancy; ; ; ; .) [Clrdg,S:ChapterXIII] (genre=m).

Coleridge, Samuel Taylor, 1772 -- 1834 [1817], Chapter XII [in, Biographia Literaria; or Biographical Sketches of my Literary Life and Opinions. By S. T. Coleridge, Esq ...] (Rest Fenner, London, 1817) (subjects=Romanticism; Author; Philosophy; Subjectivity; Objectivity; Imagination and fancy; ; .) [Clrdg,S:ChapterXII] (genre=m).

Coleridge, Samuel Taylor, 1772 -- 1834 [1817], Chapter XIV [in, Biographia Literaria; or Biographical Sketches of my Literary Life and Opinions. By S.T. Coleridge, Esq ...] (Rest Fenner, London, 1817) (subjects=Romanticism; Lyrical Ballads; Wordsworth William; Imagination and fancy; Nature of poetry; Poet; ; .) [Clrdg,S:ChapterXIV] (genre=m).

Coleridge, Samuel Taylor, 1772 -- 1834 [1817], Chapter XIX [in, Biographia Literaria; or Biographical Sketches of my Literary Life and Opinions. By S. T. Coleridge, Esq ...] (Rest Fenner, London, 1817) (subjects=Romanticism; Lyrical Ballads; Wordsworth William; Poetic diction; Metaphysical poetry; Herbert George; ; .) [Clrdg,S:ChapterXIX] (genre=m).

Coleridge, Samuel Taylor, 1772 -- 1834 [1817], Chapter XI [in, Biographia Literaria; or Biographical Sketches of my Literary Life and Opinions. By S. T. Coleridge, Esq ...] (Rest Fenner, London, 1817) (subjects=Romanticism; Author; Genius; Religion; ; ; ; .) [Clrdg,S:ChapterXI] (genre=m).

Coleridge, Samuel Taylor, 1772 -- 1834 [1817], Chapter XVIII [in, Biographia Literaria; or Biographical Sketches of my Literary Life and Opinions. By S. T. Coleridge, Esq ...] (Rest Fenner, London, 1817) (subjects=Romanticism; Lyrical Ballads; Wordsworth William; Poetic diction; Metre; Nature of poetry; ; .) [Clrdg,S:ChapterXVIII] (genre=m).

Coleridge, Samuel Taylor, 1772 -- 1834 [1817], Chapter XVII [in, Biographia Literaria; or Biographical Sketches of my Literary Life and Opinions. By S. T. Coleridge, Esq ...] (Rest Fenner, London, 1817) (subjects=Romanticism; Lyrical Ballads; Wordsworth William; Poetic diction; Class; ; ; .) [Clrdg,S:ChapterXVII] (genre=m).

Coleridge, Samuel Taylor, 1772 -- 1834 [1817], Chapter XVI [in, Biographia Literaria; or Biographical Sketches of my Literary Life and Opinions. By S. T. Coleridge, Esq ...] (Rest Fenner, London, 1817) (subjects=Romanticism; Renaissance art; Italian literature; Renaissance literature; Metre; Poetic diction; ; .) [Clrdg,S:ChapterXVI] (genre=m).

Coleridge, Samuel Taylor, 1772 -- 1834 [1817], Chapter XV [in, Biographia Literaria; or Biographical Sketches of my Literary Life and Opinions. By S. T. Coleridge, Esq ...] (Rest Fenner, London, 1817) (subjects=Romanticism; Genius; Poet; Shakespeare William; Venus and Adonis; The Rape of Lucrece; ; .) [Clrdg,S:ChapterXV] (genre=m).

Coleridge, Samuel Taylor, 1772 -- 1834 [1817], Chapter XXII [in, Biographia Literaria; or Biographical Sketches of my Literary Life and Opinions. By S. T. Coleridge, Esq ...] (Rest Fenner, London, 1817) (subjects=Romanticism; Wordsworth William; Poetic diction; Style; Class; Register; ; .) [Clrdg,S:ChapterXXII] (genre=m).

Coleridge, Samuel Taylor, 1772 -- 1834 [1817], Chapter XXIV [in, Biographia Literaria; or Biographical Sketches of my Literary Life and Opinions. By S. T. Coleridge, Esq ...] (Rest Fenner, London, 1817) (subjects=Romanticism; Coleridge Samuel Taylor; Criticism; Religion; Christabel; ; ; .) [Clrdg,S:ChapterXXIV] (genre=m).

Coleridge, Samuel Taylor, 1772 -- 1834 [1817], Chapter XXI [in, Biographia Literaria; or Biographical Sketches of my Literary Life and Opinions. By S.T. Coleridge, Esq ...] (Rest Fenner, London, 1817) (subjects=Romanticism; The Excursion; Wordsworth William; Criticism; Periodicals; ; ; .) [Clrdg,S:ChapterXXI] (genre=m).

Coleridge, Samuel Taylor, 1772 -- 1834 [1817], Chapter XX [in, Biographia Literaria; or Biographical Sketches of my Literary Life and Opinions. By S. T. Coleridge, Esq ...] (Rest Fenner, London, 1817) (subjects=Romanticism; Lyrical Ballads; Wordsworth William; Poetic diction; Style; The Excursion; ; .) [Clrdg,S:ChapterXX] (genre=m).

Coleridge, Samuel Taylor, 1772 -- 1834 [1817], Chapter X [in, Biographia Literaria; or Biographical Sketches of my Literary Life and Opinions. By S. T. Coleridge, Esq ...] (Rest Fenner, London, 1817) (subjects=Romanticism; Coleridge Samuel Taylor; Religion; Politics; French Revolution; ; ; .) [Clrdg,S:ChapterX] (genre=m).

Coleridge, Samuel Taylor, 1772 -- 1834 [1818], Section I; Lectures of 1818; Manuscripts, Reports of Lectures, and Marginalia on the same subjects [in, Coleridge's Miscellaneous Criticism; Edited by Thomas Middleton Raysor ...] (Constable & Co Ltd, London, 1936) (subjects=Beaumont Francis; Fletcher John; Jonson Ben; Milton John; Renaissance literature; Romanticism; Style; .) [Clrdg,S:SectionI] (genre=m).

Coleridge, Samuel Taylor, 1772 -- 1834 [1825], Aids to Reflection in the Formation of a many Characters on the several grounds of Prudence, Morality, and Religion ... Select Passages From Our Elder Divines, Especially From Archbishop Leighton. By S. T. Coleridge (Taylor and Hessey, London, 1825) (subjects=Romanticism; Introspection; Religion; Morality; Mysticism; Aphorism; ; .) [Clrdg,S:AidsReflectionFormationCharactersgroundsPrudence] (genre=m).

Coleridge, Samuel Taylor, 1772 -- 1834 [1836], Section V; Selections From Table Talk [in, Coleridge's Miscellaneous Criticism; Edited by Thomas Middleton Raysor ...] (Constable & Co Ltd, London, 1936) (subjects=Romanticism; Classical literature; Genius; Wordsworth William; Milton John; Imagination and fancy; ; .) [Clrdg,S:SectionV] (genre=m).

Collier, Jeremy, 1650 -- 1726 [1698], A Short View of the Immorality ... of the English Stage (S. Keble ... R. Save ... and H. Hindmarsh., London, 1698) (subjects=Restoration comedy; Neoclassicism; Classical literature; Poetic justice; Religion; Morality; ; .) [Collier,J:ShortViewImmoralityEnglishStage] (genre=m).

Collier, Jeremy, 1650 -- 1726 [1699], A Defence of the Short View of the Profaneness and Immorality of the English Stage (Printed for S. Keble ... R. Sare ... and H. Hindmarsh, London, 1699) (subjects=Poetic justice; Morality; Restoration comedy; Religion; ; ; ; .) [Collier,J:DefenceShortViewProfanenessImmoralityEnglishStage] (genre=m).

Collier, Jeremy, 1650 -- 1726 [1700], A Second Defence of the Short View of the Prophaneness and Immorality of the English Stage ... (Printed for S. Keble ... R. Sare ... and G. Strahan, London, 1700) (subjects=Restoration comedy; Morality; Religion; Classical literature; Poetic justice; ; ; .) [Collier,J:SecondDefenceShortViewProphanenessImmoralityEnglishStage] (genre=m).

Collier, Jeremy, 1650 -- 1726 [1708], A Farther Vindication of the Short View ... of the English Stage (Printed for R. Sare and G. Strahan, London, 1708) (subjects=Morality; Religion; Censorship; ; ; ; ; .) [Collier,J:FartherVindicationShortViewEnglishStage] (genre=m).

Collins, An, 17th cent. [1653], The Preface [in, Divine Songs and Meditacions] (Printed by R. Bishop, London, 1653) (subjects=Devotional Poetry; Religion; Women poets; Interpretation; ; ; ; .) [Collins,A:Preface] (genre=f).

Collins, William, 1721 -- 1759 [1746], Ode on the Poetical Character [in, The poems of Thomas Gray: William Collins: Oliver Goldsmith: Edited by Roger Lonsdale] (Longmans, Green and Company, London, 1969) (subjects=Imagination and fancy; Creativity; Nature; Milton John; ; ; ; .) [Collins,W:OdePoeticalCharacter] (genre=m).

Congreve, William, 1670 -- 1729 [1699], Amendments of Mr. Collier's False and Imperfect Citations (Printed for J. Tonson., London, 1698) (subjects=Morality; Restoration comedy; ; ; ; ; ; .) [Congreve,W:AmendmentsMrCollier] (genre=m).

Conrad, Joseph, 1857 -- 1924 [1897], The Art of Fiction [in, The New Review] (William Heinemann, London, December 1897) (subjects=Artist; Author; Emotion; Nature of literature; Sympathy; Novel; ; .) [Conrad,J:ArtFiction] (genre=m).

Conrad, Joseph, 1857 -- 1924 [1897], Preface [in, The Nigger of the "Narcissus"] (J.M. Dent & Sons Ltd., Toronto, 1923) (subjects=Author; Emotion; Nature of literature; Novel; Conrad Joseph; The Nigger of the Narcissus; ; .) [Conrad,J:Preface] (genre=m).

Conrad, Joseph, 1857 -- 1924 [1905], Books [in, The Speaker] (14, Henrietta St, Covent Garden, London, 1905) (subjects=Nature of literature; Novel; Author; ; ; ; ; .) [Conrad,J:Books] (genre=m).

Conrad, Joseph, 1857 -- 1924 [1905], Henry James: An Appreciation [in, The North American Review] (Franklin Square, New York, January 1905) (subjects=James Henry; Novel; Creativity; Author; Dénouement; Characterisation; ; .) [Conrad,J:HenryJames] (genre=m).

Conrad, Joseph, 1857 -- 1924 [1921], A Familiar Preface [in, A Personal Record by Joseph Conrad] (Harper & Brothers, London, 1912) (subjects=Conrad Joseph; Autobiography; Memory; Sincerity; Criticism; Conversation; ; .) [Conrad,J:FamiliarPreface] (genre=m).

Cowley, Abraham, 1618 -- 1667. [1656], The Preface and Ode. of Wit [in, Poems ... Written by A. Cowley] (Printed for Humphrey Moseley ..., London, 1656) (subjects=Cowley Abraham; Wit; Poet; Religion; Ethics; Ideology; Fable; .) [Cowley,A:PrefaceOdeWit] (genre=m).

Cowley, Abraham, 1618 -- 1667. [1656], Preface [in, Pindarique Odes ... in, Poems ... Written by A. Cowley ...] (Printed for Humphrey Moseley ..., London, 1656) (subjects=Pindar; Imitation; Translation; ; ; ; ; .) [Cowley,A:Preface] (genre=m).

Cox, Leonard, fl. 1572. [1532], The arte of Crafte of Rhethoryke (, [London], 1524) (subjects=Oratory; Rhetoric; ; ; ; ; ; .) [Cox,L:CrafteRhethoryke] (genre=m).

D'Avenant, William, Sir, 1606 -- 1668 [1650], The Author's Preface To ... Mr. Hobs [in, Gondibert: An Heroick Poem, Written by Sir William Davenant] (Printed by Tho. Newcomb for John Holden ..., London, 1651) (subjects=DAvenant Sir William; Gondibert; Religion; Morality; Epic poetry; Poet; ; .) [D'Avnnt,W:Author] (genre=m).

D'Avenant, William, Sir, 1606 -- 1668 [1652], To the Author Upon His Divine Poem [in, Theophila, or Loves Sacrifice. A Divine Poem. Written by E. B. Esq; ...] (Printed by R. N. Sold by Henry Seile ... and Humphrey Moseley ..., London, 1652) (subjects=Politics; Benlowes Edward; Poet; Ethics; Epic poetry; ; ; .) [D'Avnnt,W:ToAuthorUponHisDivinePoem] (genre=m).

Dallas, E. S. (Eneas Sweetland), 1828 -- 1879 [1852], Poetics: An Essay on Poetry (Smith, Elder, and Co., London, 1852) (subjects=Nature of poetry; Epic poetry; Lyric poetry; Poet; Poetic drama; Versification; Imagery; .) [Dallas,E:Poetics] (genre=m).

Daniel, Samuel, 1562 -- 1619. [1599], Mvsophilvs. Containing, A generall Defence of all Learning [in, The complete works in verse and prose of Samuel Daniel. Edited ... By the Rev. Alexander B. Grosart (Printed for private circulation only by Hazell, Watson and Viney, London, 1885) (subjects=Humanism; Commerce; Education; Author; Ethics; Fame; ; .) [Daniel,S:MvsophilvsContaining] (genre=m).

Daniel, Samuel, 1562 -- 1619. [1602], A Defence of Ryme: Against a Pamphlet: Observations in the Art of English Poesie (Edward Blount, London, 1603) (subjects=Renaissance Poetry; Classical literature; Metre; Prosody; Vernacular literature; ; ; .) [Daniel,S:DefenceRyme] (genre=m).

Dante Alighieri, 1265 -- 1321 [1303], Dante's Treatise "De Vulgari Eloquentiâ" [Translated Into English; with Explanatory Notes; By A.G. Ferrers Howell ... ] (Kegan Paul, Trench, Trübner & Co., London, 1890) (subjects=Stanza; Poetic language; Versification; Composition; Italian language; Canzone; ; .) [Dante,A:Dante] (genre=m).

Davidson, Donald, 1893 -- 1968 [1956], Poetry as Tradition [in, Still Rebels, Still Yankees] (Louisiana State University Press, [Baton Rouge], 1972) (subjects=New criticism; Literary tradition; Modernism; Oral tradition; Poet; Society; ; .) [Davidson,D:PoetryTradition] (genre=m).

Day, Angel, fl. 1575 -- 1595. [1587], The English Secretorie. VVherein is contayned a Perfect Method, for the inditing of all manner of Epistles and familiar Letters ... Nowe first deuized, and newly published, by Angell Daye (Printed by Robert Walde-graue, and are to be sold by Richard Iones ..., London, 1586) (subjects=Epistle; Persuasion; Rhetoric; ; ; ; ; .) [Day,A:EnglishSecretorieVVhereinPerfectMethod] (genre=m).

de Man, Paul, 1919 -- 1983 [1971], The Rhetoric of Blindness: Jacques Derrida's Reading of Rousseau [in, Blindness and Insight; Essays in the Rhetoric of Contemporary Criticism (Routledge, London, 1989) (subjects=Deconstruction; Rousseau JeanJacques; Derrida Jacques; Poststructuralism; Interpretation; Criticism; ; .) [de,M:RhetoricBlindness] (genre=m).

de Man, Paul, 1919 -- 1983 [1982], The Resistance to Theory [in, The Resistance to Theory; Paul de Man ... Theory and History of Literature, Volume 33] (Manchester University Press, Manchester, 1986) (subjects=Poststructuralism; Rhetoric; Grammar; Deconstruction; Literariness; Semiology; Criticism; .) [de,M:ResistanceTheory] (genre=m).

de Man, Paul, 1919 -- 1983 [1983], The Dead-End of Formalist Criticism [in, Blindness and Insight] (Methuen, London, 1983) (subjects=Deconstruction; New criticism; Formalism; Signifier/Signified; Ambiguity; Nature of poetry; ; .) [de,M:DeadEndFormalistCriticism] (genre=m).

Demetrius, 1st\2nd century BC [Antiquity], Demetrius on Style [in, Ancient Literary Criticism ... edited by D. A. Russell ... and M. Winterbottom] (Clarendon Press, Oxford, 1972) (subjects=Register; Trope; Style; Syntax; Aesthetics; Pleasure; ; .) [Dmtrs,1:DemetriusStyle] (genre=m).

Denham, John, Sir, 1615 -- 1669. [1648], To the Authour of this Translation [in, Il Pastor Fido, The Faithfull Shepherd. A Pastorall; Written in Italian by Baptista Gvarini ... And now Newly Translated out of the Originall] (R. Raworth, London, 1647) (subjects=Fanshawe Sir Richard; Translation; Il Pastor Fido; ; ; ; ; .) [Denham,J:ToAuthourTranslation] (genre=m).

Denham, John, Sir, 1615 -- 1669. [1656], The Preface [in, The Destruction of Troy, an Essay upon the Second Book of Virgils Aeneis ...] (Printed for Humphrey Moseley ..., London, 1656) (subjects=Nature of poetry; Linguistic change; Vernacular literature; Virgil; Aeneid; Translation; ; .) [Denham,J:Preface] (genre=m).

Dennis, John, 1657 -- 1734 [1693], The Impartial Critick (Printed by R. Taylor, London, 1693) (subjects=Neoclassicism; Tragedy; Classical literature; Poetic justice; Restoration comedy; Morality; ; .) [Dennis,J:ImpartialCritick] (genre=m).

Dennis, John, 1657 -- 1734 [1696], Remarks on a Book Entitled, Prince Arthur (Printed for S. Heyrick and R. Saxe, London, 1696) (subjects=Blackmore Sir Richard; Virgil; Neoclassicism; Dramatic unities; Morality; ; ; .) [Dennis,J:RemarksBookEntitled] (genre=m).

Dennis, John, 1657 -- 1734 [1698], The Usefulness of the Stage (Printed for Rich. Parker, London, 1698) (subjects=Apology; Pleasure; Classical literature; Neoclassicism; Religion; Restoration drama; ; .) [Dennis,J:UsefulnessStage] (genre=m).

Dennis, John, 1657 -- 1734 [1701], The Advancement and Reformation of Modern Poetry (Printed for Rich. Parker, London, 1701) (subjects=Classical literature; Enthusiasm; Neoclassicism; Religion; Restoration drama; ; ; .) [Dennis,J:AdvancementReformationModernPoetry] (genre=m).

Dennis, John, 1657 -- 1734 [1704], The Grounds of Criticism in Poetry (Printed for Geo. Strahan ... and Bernard Lintott, London, 1704) (subjects=Enthusiasm; Neoclassicism; Milton John; Paradise Lost; Nature of poetry; Classical literature; ; .) [Dennis,J:GroundsCriticismPoetry] (genre=m).

Dennis, John, 1657 -- 1734 [1711], Reflections Critical and Satyrical ... By Mr. Dennis. (Printed for Bernard Lintott, London, 1711) (subjects=Criticism; Neoclassicism; Wit; Pope Alexander; Plagiarism; Classical literature; ; .) [Dennis,J:ReflectionsCriticalSatyricalByMrDennis] (genre=m).

Dennis, John, 1657 -- 1734 [1722], Of Prosody, By Mr. Dennis. [in, An Essay Towards a Practical English Grammar] (Printed for Arthur Bettesworth, London, 1729) (subjects=Metre; Rhyme; Neoclassicism; Versification; Genre; ; ; .) [Dennis,J:OfProsody] (genre=m).

Dennis, John, 1657 -- 1734 [1726], The stage defended (Printed for N. Blandford, at the London Gazette, Charing Cross; and sold by J. Peele, at Locke's-Head in Pater-noster-Row. MDCCXXVI., London, 1726) (subjects=Poetic drama; Morality; Religion; Neoclassicism; Sexuality; Apology; ; .) [Dennis,J:defended] (genre=m).

Dennis, John, 1657 -- 1734 [1729], Remarks upon Several Passages in the Preliminaries to the Dunciad ... and upon Several Passages in Pope's Preface to his Translation of Homer's Iliad ... By Mr. Dennis (Printed for H. Whitridge, London, 1729) (subjects=Pope Alexander; Neoclassicism; Satire; Epic poetry; Homer; The Dunciad; ; .) [Dennis,J:RemarksSeveralPassagesPreliminariesDunciadSeveralPassagesPope] (genre=m).

De Quincey, Thomas, 1785 -- 1859. [1821], John Paul Frederick Richter [in, The Collected Writings of Thomas De Quincey; New And Enlarged Edition; By David Masson ...] (Adam and Charles Black, Edinburgh, 1890) (subjects=Romanticism; Shakespeare William; Richter John Paul Frederick; Pathos; Wit; Humour; ; .) [De,Q:JohnPaulFrederickRichter] (genre=m).

De Quincey, Thomas, 1785 -- 1859. [1823], Letters to a Young Man whose Education has been Neglected [in, The Collected Writings of Thomas De Quincey; New and Enlarged Edition; by David Masson ...] (Adam and Charles Black, Edinburgh, 1890) (subjects=Education; European languages; German literature; Classical literature; Nature of literature; Kant Immanuel; Author; Coleridge Samuel Taylor.) [De,Q:LettersYoungManEducationNeglected] (genre=m).

De Quincey, Thomas, 1785 -- 1859. [1823], On The Knocking At The Gate In Macbeth [in, The Collected Writings of Thomas De Quincey; New And Enlarged Edition; By David Masson ... Vol. X. Literary Theory And Criticism] (Adam and Charles Black, Edinburgh, 1890) (subjects=Romanticism; Shakespeare William; Macbeth; Empathy; Emotion; Intellect; ; .) [De,Q:OnKnockingAtGateInMacbeth] (genre=m).

De Quincey, Thomas, 1785 -- 1859. [1828], Rhetoric [in, The Collected Writings of Thomas De Quincey, New And Enlarged Edition, By David Masson ... Vol. X. Literary Theory And Criticism] (Adam and Charles Black, Edinburgh, 1890) (subjects=Rhetoric; Oratory; Romanticism; Burke Edmund; Taylor Jeremy; Whatley Richard; ; .) [De,Q:Rhetoric] (genre=m).

De Quincey, Thomas, 1785 -- 1859. [1838], Shakspeare [in, The Collected writings of Thomas De Quincey; New And Enlarged Edition; By David Masson ... Vol. IV., Biographies And Biographic Sketches] (Adam and Charles Black, Edinburgh, 1890) (subjects=Shakespeare William; Representation of women; Characterisation; Romanticism; ; ; ; .) [De,Q:Shakspeare] (genre=m).

De Quincey, Thomas, 1785 -- 1859. [1840], Style [in, The Collected Writings of Thomas De Quincey; New and Enlarged Edition, by David Masson ... Vol. X; Literary Theory and Criticism] (Adam and Charles Black, Edinburgh, 1890) (subjects=Style; Oratory; Rhetoric; Conversation; Romanticism; Classical literature; ; .) [De,Q:Style] (genre=m).

De Quincey, Thomas, 1785 -- 1859. [1840], Theory of Greek Tragedy [in, The Collected Writings of Thomas De Quincey; New and Enlarged Edition; By David Masson ... Vol. x. Literary Theory And Criticism] (Adam and Charles Black, Edinburgh, 1890) (subjects=Romanticism; Greek tragedy; Tragedy; Shakespeare William; Characterisation; Dialogue; ; .) [De,Q:TheoryGreekTragedy] (genre=m).

De Quincey, Thomas, 1785 -- 1859. [1845], Notes on Gilfillan's Literary Portraits [in, The Collected Writings of Thomas De Quincey ... By David Masson ... Vol. XI. Literary Theory And Criticism] (Adam and Charles Black, Edinburgh, 1890) (subjects=Romanticism; Hazlitt William; Shelley Percy Bysshe; Keats John; Genius; Nature; ; .) [De,Q:NotesGilfillan] (genre=m).

De Quincey, Thomas, 1785 -- 1859. [1845], On Wordsworth's Poetry [in, The Collected Writings of Thomas De Quincey ... By David Masson ... VOL. XI. Literary Theory And Criticism] (Adam and Charles Black, Edinburgh, 1890) (subjects=Wordsworth William; The Excursion; Romanticism; Poetic diction; Emotion; Nature; ; .) [De,Q:OnWordsworth] (genre=m).

De Quincey, Thomas, 1785 -- 1859. [1848], Oliver Goldsmith [in, The Collected Writings of Thomas De Quincey; New and Enlarged Edition; by David Masson ...] (Adam and Charles Black, Edinburgh, 1890) (subjects=Goldsmith Oliver; Eighteenthcentury literature; Author; Biography; Patronage; Carlyle Thomas; ; .) [De,Q:OliverGoldsmith] (genre=m).

De Quincey, Thomas, 1785 -- 1859. [1848], The Poetry of Pope [in, The Collected Writings of Thomas De Quincey. New and Enlarged Edition By David Masson ... Vol. XI Literary Theory and Criticism] (Adam and Charles Black, Edinburgh, 1890) (subjects=Romanticism; Pope Alexander; Nature of literature; Representation of women; Satire; Didactic poetry; ; .) [De,Q:PoetryPope] (genre=m).

De Quincey, Thomas, 1785 -- 1859. [1858], Language [in, The Collected Writings of Thomas De Quincey; New And Enlarged Edition; By David Masson ... Vol. X. Literary Theory And Criticism] (Adam and Charles Black, Edinburgh, 1890) (subjects=Romanticism; Style; European languages; Slang; ; ; ; .) [De,Q:Language] (genre=m).

Derrida, Jacques, 1930 -- [1972], Différance [in, Margins of Philosophy; By Jacques Derrida; Translated ... by Alan Bass (The University of Chicago, Chicago, 1982) (subjects=Speech/writing; Signifier/Signified; Différance; Deconstruction; Logocentrism; Poststructuralism; Semiology; .) [Derrida,J:Diff] (genre=m).

Derrida, Jacques, 1930 -- [1972], Signature, Event, Context [in, Margins of Philosophy] (The Harvester Press Limited, Brighton, 1982) (subjects=Deconstruction; Context; Iterability; Repetition; Speech act theory; Austin J. L.; ; .) [Derrida,J:Signature] (genre=m).

Derrida, Jacques, 1930 -- [1972], White Mythology: Metaphor in the Text of Philosophy [in, Margins of Philosophy; by Jacques Derrida; Trans. ... by Alan Bass] (University of Chicago Press, Chicago, 1982) (subjects=Deconstruction; Signifier/Signified; Poststructuralism; Logocentrism; Philosophy; Metaphor; Semiology; .) [Derrida,J:WhiteMythology] (genre=m).

Derrida, Jacques, 1930 -- [1976], "... That Dangerous Supplement ..." [in, Of Grammatology] (The Johns Hopkins University Press, London, 1976) (subjects=Supplément; Différance; Deconstruction; Logocentrism; Confessions; Rousseau JeanJacques; ; .) [Derrida,J:"ThatDangerousSupplement] (genre=m).

De Vere, Aubrey, 1814 -- 1902. [1887], The Two Chief Schools Of English Poetry. Poetic Versatility; Shelley And Keats [in, Essays; Chiefly on Poetry. By Aubrey de Vere, LL. D. in Two Vols] (Macmillan and Co., London, 1887) (subjects=Keats John; Shelley Percy Bysshe; Literary history; Classicism; Romanticism; Imagination and fancy; ; .) [De,V:TwoChiefSchoolsOfEnglishPoetryPoeticVersatility] (genre=m).

Digby, Kenelm, Sir, 1603 -- 1665. [1628], Observations On The 22. Stanza In The 9th. Canto Of the 2d. Book of Spencers Faery Queen (Daniel Frere, London, 1644) (subjects=Spenser Edmund; The Faerie Queene; Practical criticism; Religion; Interpretation; Mysticism; ; .) [Digby,K:ObservationsOn] (genre=m).

Digby, Kenelm, Sir, 1603 -- 1665. [1630], Concerning Spencer that J wrote att Mr. May His Desire [in, Sir Kenelm Digby And His Venetia; By E. W. Bligh] (Sampson Low, Marston & Co. Ltd., London, 1932) (subjects=Spenser Edmund; Interpretation; ; ; ; ; ; .) [Digby,K:ConcerningSpencerJMrMayHisDesire] (genre=m).

Dionysius of Halicarnassus [Antiquity], De Antiquis Oratoribus, Praefatio (Rome and the Classical Revival) [in, Ancient Literary Criticism ... edited by D. A. Russell ... and M. Winterbottom] (Clarendon Press, Oxford, 1972) (subjects=Oratory; Taste; Rhetoric; ; ; ; ; .) [Dnyss,o:DeAntiquisOratoribus] (genre=m).

Dionysius of Halicarnassus [Antiquity], Demosthenes 1 -- 7, 8 -- 22, 23, 32 [in, Ancient Literary Criticism ... edited by D. A. Russell ... and M. Winterbottom] (Clarendon Press, Oxford, 1972) (subjects=Demosthenes; Oratory; Style; Emotion; Register; Isocrates; ; .) [Dnyss,o:Demosthenes] (genre=m).

Dionysius of Halicarnassus [Antiquity], On the Arrangement of Words (1 -- 13, 20, 21 -- 26) [in, Ancient Literary Criticism ... edited by D. A. Russell ... and M. Winterbottom] (Clarendon Press, Oxford, 1972) (subjects=Oratory; Syntax; Rhythm; Metre; Style; Pleasure; ; .) [Dnyss,o:OnArrangementWords] (genre=m).

Dobell, Sydney, 1824 -- 1874. [1857], The Nature of Poetry (Smith, Elder, & Co., London, 1876) (subjects=Nature of poetry; Metaphor; Sublime; Poet; Aesthetics; Religion; Rhythm; .) [Dobell,S:NaturePoetry] (genre=m).

Dobell, Sydney, 1824 -- 1874. [1876], Illustrative Notes on Poetry And Art [in, Thoughts on Art, Philosophy, and Religion: Selected from the Unpublished Papers of Sydney Dobell] (Smith, Elder, & Co., London, 1876) (subjects=Nature of poetry; Organicism; Metaphor; The ideal; Rhythm; ; ; .) [Dobell,S:IllustrativeNotesPoetryAndArt] (genre=m).

Drayton, Michael, 1563 -- 1631. [1603], To the Reader [in, The Barrons Wars in the raigne of Edward the Second ... By Michaell Drayton] (Printed by I. R. for N. Ling, London, 1603) (subjects=Versification; Stanza; Prosody; Drayton Michael; Epic poetry; ; ; .) [Drayton,M:ToReader] (genre=m).

Drayton, Michael, 1563 -- 1631. [1606], To The Reader [in, Poems: By Michael Drayton, Esqvire ...] (Iohn Smethvvicke, London, 1619) (subjects=Prosody; Drayton Michael; Versification; Stanza; Epic poetry; ; ; .) [Drayton,M:ToReader] (genre=m).

Drummond, William, 1585 -- 1649 [1630], To his much honoured Friend Dr. Arthur Johnston, Physician to the King [in, The Works of William Drummond of Hawthornden ... Now Published from the Author's Original Copies] (Printed by James Watson, Edinburgh, 1711) (subjects=Nature of poetry; Metaphysical poetry; Classical literature; Composition; Literary history; ; ; .) [Drummond,W:ToFriendDrArthurJohnston] (genre=m).

Dryden, John, 1631 -- 1700 [1668], A Defence of an Essay of Dramatique Poesie, being an Answer to the Preface of The Great Favourite, or the Duke of Lerma [in, the Indian Emperour, or the Conquest of Mexico. By the Spaniards; Being the Sequel of the Indian Queen. By John Dryden Esq; The Second Edition (H. Herringman, London, 1668) (subjects=Poetic drama; Neoclassicism; Dramatic unities; Mimesis; Pleasure; Restoration comedy; ; .) [Dryden,J:DefenceEssayDramatiquePoesie] (genre=m).

Dryden, John, 1631 -- 1700 [1668], Of Dramatick Poesie (Printed for Henry Herringman, London, 1668) (subjects=Poetic drama; Classical literature; Dramatic unities; Mimesis; Pleasure; Restoration comedy; ; .) [Dryden,J:OfDramatickPoesie] (genre=m).

Dryden, John, 1631 -- 1700 [1680], Preface [to Ovid's Epistles, Translated by Several Hands] (Printed for Jacob Tonson, London, 1680) (subjects=Ovid; Epistle; Translation; Wit; Neoclassicism; ; ; .) [Dryden,J:Preface] (genre=m).

Dryden, John, 1631 -- 1700 [1693], Discourse Concerning the Original and Progress of Satire [in, The Satires of Decimus Junius Juvenalis] (Printed for Jacob Tonson, London, 1693) (subjects=Juvenal; Neoclassicism; Classical literature; Epic poetry; Satire; Religion; ; .) [Dryden,J:DiscourseConcerningOriginalProgressSatire] (genre=m).

Dryden, John, 1631 -- 1700 [1697], To the Most Honourable John, Lord Marquess of Normanby [in, The works of Virgil] (Printed for Jacob Tonson, London, 1697) (subjects=Epic poetry; Translation; Virgil; Aeneid; Neoclassicism; Homer; ; .) [Dryden,J:ToMostHonourableJohn] (genre=m).

Du Bois, W. E. B. (William Edward Burghardt), 1868 -- 1963 [1903], XIV; Of The Sorrow Songs [in, The Souls of Black Folk; Essays And Sketches; By W. E. Burghardt Du Bois, Fourth Edition] (A. C. McClurg & Co., Chicago, 1904) (subjects=Race; Folk song; AfricanAmerican literature; AfricanAmerican criticism; Slavery; ; ; .) [Du,B:XIV] (genre=m).

Duff, William, 1732 -- 1815. [1767], An Essay on Original Genius; and its Various Modes of Exertion in Philosophy and the Fine Arts, Particularly in Poetry (Printed for Edward and Charles Dilly ..., London, 1767) (subjects=Genius; Originality; Creativity; Taste; Judgement; Imagination and fancy; ; .) [Duff,W:EssayOriginalGenius] (genre=m).

Du Verger, Susan [1639], The Authors Epistle to the Reader [in, Admirable Events: Selected Ovt of Fovre Bookes, Written in French by the Right Reverend, John Peter Camus ... translated into English by S. Du. Verger] (Printed by Thomas Harper for William Brooks ..., London, 1639) (subjects=Romance; Novel; Fantastic literature; Prose fiction; Translation; Ethics; ; .) [Du,V:AuthorsEpistleReader] (genre=f).

E. K. [1578], To the most excellent and learned both Orator and Poete, Mayster Gabriell Harvey, his verie special and singular good friend E. K. commendeth the good lyking of this his labour, and the patronage of the new Poete; [in, The Shepheardes Calender Conteyning tvvelve Aeglogues proportionable to the twelve monethes] (Hugh Singleton, London, 1579) (subjects=Spenser Edmund; Shepheardes Calender; Interpretation; Humanism; Patronage; Poet; ; .) [E.,K:ToandOratorPoete] (genre=x).

Eagleton, Terry, 1943 -- [1983], Conclusion: Political Criticism [in, Literary Theory; An Introduction; Second Edition; Terry Eagleton] (Blackwell Publishers, Oxford, 1996) (subjects=Marxist theory; Canon; Nature of literature; Criticism; Ideology; Politics; Academia; Rhetoric.) [Eagleton,T:Conclusion] (genre=m).

Edwards, Richard, 1523? -- 1566. [1564], The Prologve [in, The excellent Comedie of two the moste faithfullest Freendes, Damon and Pithias. Newly Imprinted, as the same was shewed before the Queenes Maiestie, by the Children of her Graces Chappell, except the Prologue that is somewhat altered for the proper vse of them that hereafter shall have occasion to plaie it, either in Priuate, or open Audience. Made by Maister Edvvards ...] (Imprinted ... by Richard Iohnes [etc.], London, 1571) (subjects=Renaissance drama; Damon and Pithias; Characterisation; Comedy; Allusion; ; ; .) [Edwards,R:Prologve] (genre=m).

Eliot, George, 1819 -- 1880 [1856], The Natural History of German Life [in, Westminster Review] (John Chapman, London, 1856) (subjects=Germany; Class; Politics; Philistinism; Riehl Wilhelm Heinrich von; ; ; .) [Eliot,G:NaturalHistoryGermanLife] (genre=f).

Eliot, George, 1819 -- 1880 [1856], Silly Novels by Lady Novelists [in, Westminster Review] (John Chapman, London, 1856) (subjects=Novel; Women novelists; Realism; Class; Religion; ; ; .) [Eliot,G:SillyNovelsLadyNovelists] (genre=F).

Eliot, T. S., 1888 -- 1965 [1919], Tradition and the Individual Talent [in, Selected Prose] (Faber and Faber, London, 1975) (subjects=New criticism; Literary tradition; Impersonality; Poet; Intention; Emotion; ; .) [Eliot,T:TraditionIndividualTalent] (genre=m).

Eliot, T. S., 1888 -- 1965 [1920], Hamlet [in, Selected Prose] (Faber and Faber, London, 1975) (subjects=New criticism; Shakespeare William; Hamlet; Objective correlative; Emotion; ; ; .) [Eliot,T:Hamlet] (genre=m).

Eliot, T. S., 1888 -- 1965 [1921], The Metaphysical Poets [in, Selected Prose] (Faber and Faber, London, 1975) (subjects=New criticism; Metaphysical poetry; Donne John; Conceit; Dissociation of sensibility; Literary tradition; ; .) [Eliot,T:MetaphysicalPoets] (genre=m).

Elliott, Ebenezer, 1781 -- 1849. [1850], A Lecture on The Principle That Poetry is Self-Communion [in, More Verse and Prose; By The Cornlaw Rhymer. In Two Volumes Vol. II] (Charles Fox, London, 1850) (subjects=Nature of poetry; Emotion; Class; Poet; Metaphor; Religion; ; .) [Elliott,E:LecturePrincipleThatPoetrySelfCommunion] (genre=m).

Elyot, Thomas, Sir, 1490? -- 1546. [1531], What ordre shulde be in lernynge ... Cap. x.; The most co~modious and necessary studies ... Cap. xi.; Why gentilmen in this present tyme ... Chapi. xii.; The seconde and thirde decay of lernyng ... Cap. xiii.; Of Experience whiche haue preceded our tyme ... Cap. xxiiii [in, The boke named the Gouernour, deuised by Thomas Elyot Knight] (Thomas Bertheletus, London, 1531) (subjects=Humanism; Ethics; Rhetoric; History; Ideology; ; ; .) [Elyot,T:WhatinCap] (genre=m).

Emerson, Ralph Waldo, 1803 -- 1882 [1838], Literary Ethics ... [in, Nature, Addresses, and Lectures by Ralph Waldo Emerson; The Riverside Edition ...] (George Routledge and Sons, New York, 1883) (subjects=American literature; Ethics; Nature; History; Transcendentalism; Education; Academia; Philosophy.) [Emerson,R:LiteraryEthics] (genre=m).

Emerson, Ralph Waldo, 1803 -- 1882 [1844], Experience [in, Essays. Second Series] (John Chapman, London, 1844) (subjects=Transcendentalism; Mysticism; Religion; Nature; Philosophy; ; ; .) [Emerson,R:Experience] (genre=m).

Emerson, Ralph Waldo, 1803 -- 1882 [1844], Nature [in, Essays. Second Series] (John Chapman, London, 1844) (subjects=Agrarianism; Mysticism; Nature; Transcendentalism; Science; ; ; .) [Emerson,R:Nature] (genre=m).

Emerson, Ralph Waldo, 1803 -- 1882 [1844], The Poet [in, Essays. Second Series] (John Chapman, London, 1844) (subjects=Poet; Agrarianism; Mysticism; Transcendentalism; Nature; ; ; .) [Emerson,R:Poet] (genre=m).

Emerson, Ralph Waldo, 1803 -- 1882 [1847], Art [in, Essays] (Chadwyck-Healey, [London], [1843]) (subjects=Transcendentalism; Mysticism; The arts; Painting; Creativity; Aesthetics; ; .) [Emerson,R:Art] (genre=m).

Emerson, Ralph Waldo, 1803 -- 1882 [1847], Circles [in, Essays] (Chadwyck-Healey, [London], [1843]) (subjects=Transcendentalism; Mysticism; Religion; Morality; Poet; ; ; .) [Emerson,R:Circles] (genre=m).

Emerson, Ralph Waldo, 1803 -- 1882 [1847], History [in, Essays] (Chadwyck-Healey, [London], [1843]) (subjects=Transcendentalism; Nature; History; Classical civilisation; Agrarianism; Sympathy; ; .) [Emerson,R:History] (genre=m).

Emerson, Ralph Waldo, 1803 -- 1882 [1847], Intellect [in, Essays] (Chadwyck-Healey, [London], [1843]) (subjects=Transcendentalism; Mysticism; Intellect; Genius; Creativity; Poet; ; .) [Emerson,R:Intellect] (genre=m).

Emerson, Ralph Waldo, 1803 -- 1882 [1847], The Over-Soul [in, Essays] (Chadwyck-Healey, [London], [1843]) (subjects=Transcendentalism; Mysticism; Religion; Morality; ; ; ; .) [Emerson,R:OverSoul] (genre=m).

Emerson, Ralph Waldo, 1803 -- 1882 [1847], Self-Reliance [in, Essays. By Ralph Waldo Emerson] (Chadwyck-Healey, [London], [1843]) (subjects=Transcendentalism; Religion; Morality; Agrarianism; Mysticism; The self; ; .) [Emerson,R:SelfReliance] (genre=m).

Emerson, Ralph Waldo, 1803 -- 1882 [1849], An Address delivered before the Senior Class in Divinity College [in, Nature, Addresses, and Lectures] (George Routledge and Son, New York, 1883) (subjects=Transcendentalism; Agrarianism; The self; Morality; Nature; Sermon; ; .) [Emerson,R:AddressSeniorClassDivinityCollege] (genre=m).

Emerson, Ralph Waldo, 1803 -- 1882 [1849], The American Scholar [in, Nature, Addresses, and Lectures] (George Routledge and Son, New York, 1883) (subjects=Transcendentalism; Education; The self; Academia; Agrarianism; Creativity; ; .) [Emerson,R:AmericanScholar] (genre=m).

Emerson, Ralph Waldo, 1803 -- 1882 [1849], Language [in, Nature, Addresses, and Lectures] (George Routledge and Sons, New York, 1883) (subjects=Nature; Transcendentalism; Mysticism; History of English Language; Agrarianism; ; ; .) [Emerson,R:Language] (genre=m).

Emerson, Ralph Waldo, 1803 -- 1882 [1849], The Transcendentalist [in, Nature, Addresses, and Lectures] (George Routledge and Son, New York, 1883) (subjects=Transcendentalism; Society; The self; Agrarianism; Morality; Philosophy; ; .) [Emerson,R:Transcendentalist] (genre=m).

Emerson, Ralph Waldo, 1803 -- 1882 [1850], Goethe [in, Representative Men] (John Chapman, London, 1850) (subjects=Transcendentalism; Goethe Johann Wolfgang von; Author; Wilhelm Meister; ; ; ; .) [Emerson,R:Goethe] (genre=m).

Emerson, Ralph Waldo, 1803 -- 1882 [1850], Shakspeare; or, The Poet [in, Representative Men] (John Chapman, London, 1850) (subjects=Transcendentalism; Shakespeare William; Poet; Originality; Literary tradition; ; ; .) [Emerson,R:Shakspeare] (genre=m).

Emerson, Ralph Waldo, 1803 -- 1882 [1856], Literature [in, English Traits] (G. Routledge & Co., London, 1856) (subjects=Transcendentalism; Nationality; Philosophy; Style; Nature of poetry; ; ; .) [Emerson,R:Literature] (genre=m).

Emerson, Ralph Waldo, 1803 -- 1882 [1862], Thoreau [in, The Atlantic Monthly ... Volume X] (Ticknor and Fields, Boston, 1862) (subjects=Thoreau Henry David; Agrarianism; Nature; Transcendentalism; ; ; ; .) [Emerson,R:Thoreau] (genre=m).

Emerson, Ralph Waldo, 1803 -- 1882 [1870], Books [in, Society and Solitude] (Sampson Low, Son & Marston, London, 1870) (subjects=Novel; Education; Transcendentalism; Fame; Canon; Classical literature; ; .) [Emerson,R:Books] (genre=m).

Emerson, Ralph Waldo, 1803 -- 1882 [1876], Poetry and Imagination [in, Letters and Social Aims] (James R. Osgood and Company, Boston, 1876) (subjects=Imagination and fancy; Poet; Nature of poetry; Transcendentalism; Nature; Versification; ; .) [Emerson,R:PoetryImagination] (genre=m).

Emerson, Ralph Waldo, 1803 -- 1882 [1876], Quotation and Originality [in, Letters and Social Aims] (James R. Osgood and Company, Boston, 1876) (subjects=Originality; Quotation; Mimesis; Transcendentalism; Literary tradition; Oral tradition; ; .) [Emerson,R:QuotationOriginality] (genre=m).

Empson, William, 1906 -- 1984 [1935], They That Have Power [in, Some Versions of Pastoral] (Chatto & Windus, London, 1935) (subjects=New criticism; Shakespeare William; Sonnet; Ambiguity; Irony; ; ; .) [Empson,W:TheyThatHavePower] (genre=m).

Empson, William, 1906 -- 1984 [1950], The Verbal Analysis [in, Argufying ...] (Chatto & Windus, London, 1987) (subjects=New criticism; Taste; Semantics; Criticism; ; ; ; .) [Empson,W:VerbalAnalysis] (genre=m).

Empson, William, 1906 -- 1984 [1951], Metaphor [in, The Structure of Complex Words] (Chatto & Windus, London, 1951) (subjects=Metaphor; Tenor/Vehicle; New criticism; Ambiguity; Allegory; ; ; .) [Empson,W:Metaphor] (genre=m).

Empson, William, 1906 -- 1984 [1951], Sense in Measure for Measure [in, The Structure of Complex Words] (Chatto & Windus, London, 1951) (subjects=Shakespeare William; Measure for Measure; New criticism; Ambiguity; Characterisation; Religion; ; .) [Empson,W:SenseMeasureMeasure] (genre=m).

Erasmus, Desiderius, d. 1536 / Chaloner, Thomas, Sir, 1521 -- 1565. [1511], [Poetes are somewhat lesse beholding vnto me] [Extract] [in, The praise of Folie. Moriae Encomivm; a booke made in latine by that great clerke Erasmus Roterodame. Englished by Sir Thomas Chaloner Knight ...] (T. B., London, 1549) (subjects=Humanism; Author; Satire; Religion; Morality; ; ; .) [Erasmus,D:[Poetesbeholdingme] (genre=m).

Farquhar, George, 1677? -- 1707 [1702], A Discourse Upon Comedy [in, Love and Business] (Printed for B. Lintott, London, 1702) (subjects=Neoclassicism; Criticism; Poetic drama; Comedy; Audience; Dramatic unities; ; .) [Farquhar,G:DiscourseUponComedy] (genre=m).

Fenner, Dudley, 1558? -- 1587 [1584], The Artes of Logicke and Rethorike (, , 1584) (subjects=Logic; Trope; Oratory; Vernacular literature; Rhetoric; ; ; .) [Fenner,D:ArtesLogickeRethorike] (genre=m).

Fenton, Geoffrey, Sir, 1539? -- 1608. [1567], To one righte honorable ... Ladye Marye Sydney [in, Certaine Tragicall Discourses written oute of Frenche and Latin ...] (Imprinted ... by Thomas Marshe, London, 1567) (subjects=Romance; History; Prose fiction; Patronage; Translation; Ethics; ; .) [Fenton,G:ToLadyeMaryeSydney] (genre=m).

Fielding, Henry, 1707 -- 1754 [1742], Preface [in, Joseph Andrews] (Printed for A. Millar [etc.], London, 1742) (subjects=Joseph Andrews; Fielding Henry; Burlesque; Satire; Romance; Novel; ; .) [Fielding,H:Preface] (genre=m).

Fielding, Henry, 1707 -- 1754 [1744], The Preface. [in, The Adventures of David Simple: Containing An Account of his Travels ... With a Preface by Henry Fielding] (Printed for A. Millar, London, 1744) (subjects=The Adventures of David Simple; Fielding Sarah; Characterisation; Novel; Criticism; ; ; .) [Fielding,H:Preface] (genre=m).

Fielding, Henry, 1707 -- 1754 [1747], Preface: Written by a Friend of the Author [in, Familiar Letters between the Principal Characters in David Simple] (Printed for the Author ... And sold by A. Millar, London, 1747) (subjects=Epistle; Novel; Epistolary novel; Women and literature; Criticism; ; ; .) [Fielding,H:Preface] (genre=m).

Fielding, Henry, 1707 -- 1754 [1749], Chapter 1 [in, Tom Jones, Book 10] (Printed for A. Millar, [etc.], London, 1749) (subjects=Criticism; Characterisation; Morality; ; ; ; ; .) [Fielding,H:Chapter] (genre=m).

Fielding, Henry, 1707 -- 1754 [1749], Chapter 1 [in, Tom Jones, Book 11] (Printed for A. Millar, [etc.], London, 1749) (subjects=Criticism; Slander; Author; ; ; ; ; .) [Fielding,H:Chapter] (genre=m).

Fielding, Henry, 1707 -- 1754 [1749], Chapter 1 [in, Tom Jones, Book 14] (Printed for A. Millar, [etc.], London, 1749) (subjects=Tom Jones; Fielding Henry; Mimesis; Characterisation; Education; ; ; .) [Fielding,H:Chapter] (genre=m).

Fielding, Henry, 1707 -- 1754 [1749], Chapter 1 [in, Tom Jones, Book 5] (Printed for A. Millar, [etc.] , London, 1749) (subjects=Tom Jones; Fielding Henry; Criticism; Contrast; Dramatic unities; ; ; .) [Fielding,H:Chapter] (genre=m).

Fielding, Henry, 1707 -- 1754 [1749], Chapter 1 [in, Tom Jones, Book 8] (Printed for A. Millar, [etc.] , London, 1749) (subjects=Characterisation; Fantastic literature; Myth; Mimesis; Novel; ; ; .) [Fielding,H:Chapter] (genre=m).

Fielding, Henry, 1707 -- 1754 [1749], Chapter 1 [in, Tom Jones, Book 9] (Printed for A. Millar, [etc.], London, 1749) (subjects=Tom Jones; Essay; History; Conversation; Genius; Author; ; .) [Fielding,H:Chapter] (genre=m).

Fielding, Henry, 1707 -- 1754 [1749], Chapter 1 [in, Tom Jones, Book I] (Printed for A. Millar, [etc.] , London, 1749) (subjects=Tom Jones; Fielding Henry; Taste; Mimesis; Simile; ; ; .) [Fielding,H:Chapter] (genre=m).

Fielding, Henry, 1707 -- 1754 [1755], Preface [in, The Journal of a Voyage to Lisbon] (Printed for A. Millar, London, 1755) (subjects=Veracity; Travel literature; ; ; ; ; ; .) [Fielding,H:Preface] (genre=m).

Fish, Stanley Eugene [1979], Is There a Text in This Class? [in, Is There a Text in This Class? The Authority of Interpretive Communities; Stanley Fish] (Harvard University Press, London, England, 1980) (subjects=Readerresponse theory; Interpretation; Reading process; Indeterminacy; ; ; ; .) [Fish,S:IsThereTextThisClass] (genre=m).

Fletcher, Giles, 1549? -- 1611 [1593], To the Reader [in Licia, or Poemes of Love, in Honour of the admirable and singular vertues of his Lady ...] (, , 1593) (subjects=Erotic poetry; Vernacular literature; Fletcher Giles (the Elder); Patronage; Poet; ; ; .) [Fletcher,G:ToReader] (genre=m).

Fletcher, Giles, 1588? -- 1623. [1610], To the Reader [in, Christs Victorie, And Triumph in Heauen and Earth ...] (Printed by C. Legge, Cambridge, 1610) (subjects=Religion; The Bible; Devotional Poetry; Ethics; Ideology; Poet; ; .) [Fletcher,G:ToReader] (genre=m).

Fletcher, John, 1579 -- 1625. [1609], To the Reader [in, The Faithfull Shepheardesse] (Printed ... for R. Bonian and H. Walley, London, 1610) (subjects=Renaissance; Drama; ; ; ; ; ; .) [Fletcher,J:ToReader] (genre=m).

Florio, John, 1553? -- 1625 [1603], To the Right Honorable my best-best Benefactors ... To the curteous Reader; and To my deere friend M. Iohn Florio ... [in, The Essayes or Morall, Politike and Millitarie Discourses of Lo: Michaell de Montaigne ... First written by him in French And now done into English By ... Iohn Florio] (Printed ... by Val. Sims for Edward Blount ..., London, 1603) (subjects=Montaigne Michel Eyquem de; Academia; Translation; Patronage; Author; ; ; .) [Florio,J:ToRightHonorablebestbestBenefactorsToReader] (genre=m).

Ford, Ford Madox, 1873 -- 1939 [1914], On Impressionism; Second Article [in, Poetry and Drama] (Poetry Bookshop Publications, London, December 1914) (subjects=Impressionism; Realism; Class; Modernism; Author; Characterisation; ; .) [Ford,F:OnImpressionism] (genre=m).

Ford, Ford Madox, 1873 -- 1939 [1914], On Impressionism [in, Poetry and Drama] (Poetry Bookshop Publications, London, June 1914) (subjects=Impressionism; Objectivity; Subjectivity; Modernism; Futurism; Characterisation; ; .) [Ford,F:OnImpressionism] (genre=m).

Francklin, Thomas, 1721 -- 1784 [1753], Translation; A Poem. By Thomas Francklin ... The Second Edition (R. Francklin, London, 1754) (subjects=Translation; Classical literature; Neoclassicism; Mimesis; ; ; ; .) [Frnckln,T:Translation] (genre=m).

Fraunce, Abraham, fl. 1587 -- 1633. [1588], The Arcadian Rhetorike ... by Abraham Fraunce (Printed by Thomas Orwin., London, 1588) (subjects=Sidney Sir Philip; Classical literature; Trope; Rhetoric; Practical criticism; ; ; .) [Fraunce,A:ArcadianRhetorikeAbrahamFraunce] (genre=m).

Frere, John Hookham, 1769 -- 1846. [1840], Introduction; (Aristophanic Comedy) (in, The Plays of Aristophanes; A Metrical Version with Notes And An Essay or Aristophanic Comedy; By John Hookham Frere) (George Routledge & Sons, Limited, London, 1908) (subjects=Aristophanes; Greek comedy; Translation; ; ; ; ; .) [Frere,J:Introduction] (genre=m).

Frye, Northrop [1957], Polemical Introduction [in, Anatomy of Criticism; Four Essays; by Northrop Frye] (Penguin Books, London, 1957) (subjects=Criticism; Author; Genre; Taste; Canon; Myth criticism; ; .) [Frye,N:PolemicalIntroduction] (genre=m).

Fuller, Margaret, 1810 -- 1850 [1840], A Short Essay on Critics [in, The Dial] (Published by James Munroe and Co., Boston, 1840) (subjects=Criticism; Periodicals; Transcendentalism; ; ; ; ; .) [Fuller,M:ShortEssayCritics] (genre=f).

Fuller, Margaret, 1810 -- 1850 [1846], Papers on Literature and Art. By Margaret Fuller (Wiley & Putnam, London, 1846) (subjects=Criticism; Periodicals; Transcendentalism; ; ; ; ; .) [Fuller,M:PapersLiteratureArtByMargaretFuller] (genre=f).

Gascoigne, George, 1542? -- 1577. [1573], H. VV to the Reader and The Letter of G. T. to his very friend H. W. concerning this worke [in, A Hundreth Sundrie Flowers bounde vp in one small Poesie ...] (Imprinted for Richard Smith, London, 1573) (subjects=Gascoigne George; Ethics; Prose fiction; Renaissance Poetry; Author; ; ; .) [Gscgn,G:HVVReaderLetterGTfriendHW] (genre=m).

Gascoigne, George, 1542? -- 1577. [1575], To the reuerende Diuines ..., To al yong Gentlemen ..., To the Readers generally ..., Certayne notes of Instruction concerning the making of verse or ryme in English ... [in, The Posies of George Gascoigne Esquire. Corrected, perfected, and augmented by the Authour. 1575] (Printed ... for Richard Smith ..., London, 1575) (subjects=Gascoigne George; Censorship; Ethics; Author; Prosody; ; ; .) [Gscgn,G:ToDiuines] (genre=m).

Gates, Henry Louis [1988], The Signifying Monkey and the Language of Signifyin(g) [in, The Signifying Monkey] (Oxford University Press, Oxford, 1988) (subjects=AfricanAmerican criticism; AfricanAmerican literature; Trope; Rhetoric; Signifier/Signified; Oral tradition; ; .) [Gates,H:SignifyingMonkeyLanguageSignifyin] (genre=m).

Gerard, Alexander, 1728 -- 1795 [1759], An Essay on Taste (Printed for A. Millar ... A. Kincaid and J. Bell ... , London and Edinburgh, 1759) (subjects=Aesthetics; Taste; Pleasure; Sensibility; Judgement; Imagination and fancy; ; .) [Gerard,A:EssayTaste] (genre=m).

Gerard, Alexander, 1728 -- 1795 [1774], An Essay on Genius. By Alexander Gerard, D.D. ... (Printed for ... W. Creech ..., Edinburgh, 1774) (subjects=Aesthetics; Taste; Genius; Judgement; Creativity; Imagination and fancy; ; .) [Gerard,A:EssayGeniusByAlexanderGerard] (genre=m).

Gerard, Alexander, 1728 -- 1795 [1780], An Essay on Taste. To which is now added Part Fourth, Of the Standard of Taste (Printed for J. Bell, and W. Creech; and T. Cadell, Edinburgh, 1780) (subjects=Aesthetics; Taste; Pleasure; Sensibility; Judgement; Imagination and fancy; ; .) [Gerard,A:EssayTasteToaddedPartFourth] (genre=m).

Gibbon, Edward, 1737 -- 1794 [1764], An Essay on the Study of Literature (Printed for T. Becket and P. A. De Hondt, London, 1764) (subjects=Literary history; Classical literature; Classical religion; Genius; Taste; Criticism; ; .) [Gibbon,E:EssayStudyLiterature] (genre=m).

Gilpin, William, 1724 -- 1804. [1792], Essay I.; On Picturesque Beauty [in, Three Essays: On Picturesque Beauty; On Picturesque Travel; And On Sketching Landscape: To Which is Added A Poem, On Landscape Painting.; By William Gilpin, M. A.] (R. Blamire, London, 1792) (subjects=Picturesque; Aesthetics; Nature; Landscape; Taste; Painting; ; .) [Gilpin,W:EssayI] (genre=m).

Godwin, William, 1756 -- 1836 [1797], Essay of History and Romance [in, Political and Philosophical Writings of William Godwin ... Edited by Pamela Clemit ...] (William Pickering, London, 1993) (subjects=Romance; Romanticism; Individualism; History; Novel; Historical novel; ; .) [Godwin,W:EssayHistoryRomance] (genre=m).

Godwin, William, 1756 -- 1836 [1797], Essay XV. Of Choice In Reading [in, The Enquirer. Reflections on Education, Manners, And Literature. In A Series of Essays By William Godwin] (G. G. And J. Robinson, London, 1797) (subjects=Children and literature; Morality; Censorship; Reason; ; ; ; .) [Godwin,W:EssayXVOfChoiceInReading] (genre=m).

Golding, Arthur, 1536 -- 1606. [1567], Too the Reader [in, The .xv. Bookes of P. Ouidius Naso, entytuled Metamorphosis, translated oute of Latin into English meeter, by Arthur Golding ...] (Willyam Seres, London, 1567) (subjects=Classical religion; Ovid; Metamorphoses; Interpretation; Ethics; Translation; ; .) [Golding,A:TooReader] (genre=m).

Goldsmith, Oliver, 1730? -- 1774 [1761], I. Upon Taste [in, The Works of Oliver Goldsmith ... in Four Volumes] (George Bell & Sons, London, 1892) (subjects=Taste; Criticism; Genius; Artifice; Education; Nature; Sensibility; .) [Gldsmth,O:IUponTaste] (genre=m).

Goldsmith, Oliver, 1730? -- 1774 [1761], II. On the Cultivation of Taste [in, The Works of Oliver Goldsmith ... in Four Volumes] (George Bell & Sons, London, 1892) (subjects=Morality; Sensibility; Taste; Pathos; Classical literature; Education; Imitation; .) [Gldsmth,O:IIOnCultivationTaste] (genre=m).

Goldsmith, Oliver, 1730? -- 1774 [1761], III. The Origin of Poetry [in, The Works of Oliver Goldsmith ... in Four Volumes] (George Bell & Sons, London, 1892) (subjects=Nature of poetry; Religion; Satire; Tragedy; Comedy; Drama; Classical literature; .) [Gldsmth,O:IIIOriginPoetry] (genre=m).

Goldsmith, Oliver, 1730? -- 1774 [1761], IV. On Poetry, as Distinguished from other Writing [in, The Works of Oliver Goldsmith ... in Four Volumes] (George Bell & Sons, London, 1892) (subjects=Nature of poetry; Versification; Poetic language; Imagery; Onomatopoeia; Sound and sense; ; .) [Gldsmth,O:IVOnPoetry] (genre=m).

Goldsmith, Oliver, 1730? -- 1774 [1761], V. On Metaphors [in, The Works of Oliver Goldsmith ... in Four Volumes] (George Bell & Sons, London, 1892) (subjects=Metaphor; Conceit; Simile; Shakespeare William; Hamlet; Nature of poetry; ; .) [Gldsmth,O:VOnMetaphors] (genre=m).

Goldsmith, Oliver, 1730? -- 1774 [1761], VI. On Hyperbole [in, The Works of Oliver Goldsmith ... in Four Volumes] (George Bell & Son, London, 1892) (subjects=Hyperbole; Style; Judgement; Shakespeare William; Classical literature; ; ; .) [Gldsmth,O:VIOnHyperbole] (genre=m).

Goldsmith, Oliver, 1730? -- 1774 [1761], VII. On Versification [in, The Works of Oliver Goldsmith ... in Four Volumes] (George Bell & Sons, London, 1892) (subjects=Versification; Prosody; Rhyme; Classical literature; Foot; ; ; .) [Gldsmth,O:VIIOnVersification] (genre=m).

Goldsmith, Oliver, 1730? -- 1774 [1773], Essay on the Theatre; or, a Comparison Between Sentimental and Laughing Comedy [in, The Works of Oliver Goldsmith ... in Four Volumes. Vol. I] (George Bell & Sons, London, 1892) (subjects=Drama; Tragedy; Comedy; Sentimental comedy; ; ; ; .) [Gldsmth,O:EssayTheatre] (genre=m).

Gorgias of Leontini, 483 -- 385 BC [Antiquity], Helena 8 -- 14 (The Power of Logos) [in, Ancient Literary Criticism ... edited by D. A. Russell ... and M. Winterbottom] (Clarendon Press, Oxford, 1972) (subjects=Oratory; Rhetoric; Nature of poetry; Persuasion; Pathos; ; ; .) [Gorgias,o:Helena] (genre=m).

Gosse, Edmund, 1849 -- 1828. [1896], Christina Rossetti [in, Critical Kit-Kats; by Edmund Gosse ...] (William Heinemann, London, 1896) (subjects=Rossetti Christina; Rossetti Dante Gabriel; Religion; Lyric poetry; PreRaphaelitism; Women poets; ; .) [Gosse,E:ChristinaRossetti] (genre=m).

Gosson, Stephen, 1554 -- 1624. [1579], An Apologie of the Schoole of Abuse, against Poets, Pipers, Players, and their Excusers [in, The Ephemerides of Phialo, deuided into three Bookes ... By Step. Gosson] (Imprinted ... by Thomas Dawson ..., London, 1579) (subjects=Renaissance drama; Puritanism; Actors and acting; Censorship; Ethics; ; ; .) [Gosson,S:ApologieSchooleAbuse] (genre=m).

Gosson, Stephen, 1554 -- 1624. [1579], The Schoole of Abuse, Conteining a Plesaunt inuectiue against Poets, Pipers, Plaiers, Iesters, and such like Caterpillers of a Co~monwelth ... by Stephen Gosson ... (Printed ... for Thomas VVoodcocke, London, 1579) (subjects=Renaissance drama; Puritanism; Actors and acting; Humanism; Ethics; Censorship; ; .) [Gosson,S:SchooleAbuse] (genre=m).

Gosson, Stephen, 1554 -- 1624. [1582], Playes Confuted in fiue Actions [By Steph. Gosson] (Thomas Gosson, London, 1582) (subjects=Renaissance drama; Religion; Actors and acting; Puritanism; Censorship; Ethics; ; .) [Gosson,S:PlayesConfutedActions] (genre=m).

Gray, Thomas, 1716 -- 1771 [1757], The Progress of Poesy [in, The poems of Thomas Gray: William Collins: Oliver Goldsmith: Edited by Roger Lonsdale] (Longmans, Green and Company, London, 1969) (subjects=Sublime; Dryden John; Nature; Shakespeare William; ; ;